Plague Ship - Cussler Clive (полные книги .TXT) 📗

He then slid a hypodermic needle into Max’s arm, whispering, “I could have waited for this drug to take effect, but where is the fun in that?”

It was the last thing Max remembered until just now, coming awake.

He had no idea where he was or how long he’d been held captive. He wanted to move, to massage his temples and check his leg, but he was sure he was being watched, and he doubted there would be that much play in his manacles. There wasn’t anyone in the room. He’d been awake long enough to hear or sense them, even with his eyes closed. That didn’t mean cameras weren’t mounted on walls and microphones planted nearby. He wanted to wait for as long as possible before alerting his captors to his consciousness and use that time to let more of the narcotics work their way out of his system. If he was going to withstand what he knew was coming, he needed to be as fresh as possible.

An hour passed—or it might have been ten minutes—Max wasn’t sure. He had lost all concept of time.

He knew that time deprivation, the inability to set the body’s internal clock, was an essential tool in the interrogator’s arsenal, so he purposefully forced himself to lose all conscious awarness of its passage. A prisoner could be driven over the edge trying to determine if it was night or day, noon or midnight, and by willing away that natural need Max took away his captor’s ability to torture him with it.

That had never been a problem in Vietnam. The cages and boxes they kept him and his fellow prisoners in were rickety enough to always allow at least a sliver of light to enter. But Max kept apprised of interrogation techniques as part of his job, and he knew time deprivation was effective only if the captors let it remain a factor in their thinking.

As for whatever else they had in store, he would just have to wait and see.

A heavy lock was opened nearby. Max hadn’t heard anyone approach, so he knew the door had to be thick. The room, then, was most likely designed as a jail cell and not something temporary that had been converted to hold him. That the Responsivists had such a cell, ready and waiting, did not bode well.

The door creaked open with a screech of rusted metal. Either the hinges weren’t often used or the cell was located in a humid climate or possibly underground. He didn’t move a muscle, as he listened to the sound of two separate and distinct pairs of feet approaching the bed. One had a heavier tread than the other, but the latter was definitely male. Kovac and an accomplice?

“He should have come around by now,” Zelimir Kovac said.

“He’s a big man, so he should have,” another man agreed. He had an American accent. “But everyone is different.”

Kovac lightly slapped Max’s cheek. Max made a mewling sound, as if he were dimly aware of the contact but was too far under to care.

“It has been twenty-four hours,” the Serbian killer said. “If he doesn’t wake in an hour, I will inject him with a stimulant.”

“And risk cardiac arrest?”

Max had slightly elevated blood pressure. He would make damned sure he’d be awake the next time they entered the room.

“Mr. Severance will be here soon. We need to know what conversations took place between this man and his son. They kept him sedated the entire time they had him. Who knows what he could have told them under the influence of drugs?”

They needed information quickly, Max thought. Contrary to popular belief, proper interrogation takes weeks and oftentimes months. The only remotely effective way to extract information quickly was the application of pain, tremendous amounts of pain. A victim in that circumstance will tell the interrogator anything he wants to hear. It was the interrogator’s job to not reveal his intentions so the prisoner had no choice but to tell the absolute truth.

Max had one hour to figure out what Kovac wanted to hear, because there was no way in hell he would ever tell the bastard the truth.

KEVIN NIXON FELT SICK to his stomach as he stepped past the barricade and onto the movie set.

Being there, he was breaking a vow to his dead sister. He could only hope, given the circumstances, that she would forgive him. This part of Donna Sky’s new movie was being filmed in an old warehouse left to decay after German reunification. The building reminded Kevin a little of the Oregon, only here the rust was real. A half-dozen semitrailers, catering trucks, scaffolding, dolly cranes for cameras, and narrow-gauge railroad tracks for what were called tracking shots were spread across the acres of parking lot. Men and women buzzed around the set, moving at double time, because, in the movie business, time quite literally is money. Nixon judged by what he saw that the film’s producers were spending about a hundred and fifty thousand dollars a day here.

To him, the organized chaos of a big-budget motion picture was familiar but now, at the same time, utterly alien.

A guard, wearing a uniform but without a weapon, was about to approach when a voice called out from across the lot, “I can’t believe it’s really you.”

Gwen Russell breezed past the security officer and hugged Nixon tightly, burying her face in his thick beard after kissing both cheeks. Always a bundle of energy, she quickly broke the embrace and regarded him.

“You look fantastic,” she said at last.

“I finally admitted that no diet on earth was helping, so I had the stomach bypass surgery two years ago.” In his lifelong battle with his weight, it had been a desperation play that had paid off. Before the operation, Kevin hadn’t seen the underside of two hundred and twenty since college. Now he weighed a respectable one eighty-five, which he carried on a solid frame.

The chefs aboard the Oregon prepared him special meals, in keeping with his postoperative diet, and, while he would never be a fan of exercise, he kept to his daily regimen religiously.

“It worked awesome, buddy boy.”

She spun him around and slipped her arm through his, so he could lead her back to a row of trailers parked along one side of the lot.

Gwen’s hair was hot pink, and she wore brightly colored bicycle pants and a man’s oxford shirt. At least fifteen gold necklaces were hung around her throat, and each of her tiny ears had a half-dozen piercings.

She had been Nixon’s assistant when he had been nominated for an Academy Award and was now a highly sought-after makeup artist in her own right.

“You dropped off everyone’s radar some years ago. No one knew where you were or what you were doing,” she said in a rush of words. “So dish, and tell me everything you’ve got going on.”

“Not much to tell, really.”

She blew a raspberry. “Oh pooh. You vanish for, like, eight years and you say there’s nothing to tell?

You didn’t find God or anything? Wait a minute, you said you wanted to talk to Donna. Did you join that group of hers, the Reactionaries?”

“Responsivists,” Kevin corrected.

“Whatever,” Gwen shot back, using her best Valley Girl accent. “Are you part of that?”

“No, but I need to talk to her about it.”

They reached the makeup trailer. Gwen swung open the door and glided up the retractable stairs. The waxy smell of cosmetics and potpourri was overwhelming. There were six chairs lined up under a long mirror in front of a counter littered with bottles and jars of every size and shape, as well as eyeliner pencils and enough makeup brushes to sweep a football stadium. Gwen pulled two bottled waters from a small fridge, tossed one to Kevin, and dropped into one of the chairs. The intense lights made her hair glow like cotton candy.

“So, come on, it was just after the Oscars—which you should have won, by the way—and, poof, you’re gone. What gives?”

“I had to get away from Hollywood. I couldn’t stand it anymore.” Obviously, Kevin wasn’t going tell her what he’d been doing since turning his back on the movie business, but she had been a good friend and deserved to know the truth.