Aztec Blood - Jennings Gary (читать хорошую книгу полностью txt) 📗
I gaped at him in astonishment. "You have lost your mind. That would play right into their hands. The less maize, the more it will raise the price. They will bring in maize from other areas and make a fortune."
Mateo shook his head. "I told you, they are squeezing the supply in the city. They hold it back to drive up the price. When it appears, the poor are going to riot, as they have done in the past, they release enough to take off the pressure. But if we destroy their supply, they will not only have none to sell, but none to take the pressure off. It would take a week or more to get maize here from the nearest warehouses, the ones in Texcoco. By that time people will be very hungry."
"I don't know..."
"Listen, it is a masterful play. We beat them at their own game. To drive up the price, they use the maize in their warehouse like a bucket of water to put out a fire. They make those on fire pay dearly for the water and only splash a little extra when it looks like the fire will spread. We will take away their bucket. When that happens, they will have nothing to keep the fire from spreading. Starving people are not passive. The evils of men or gods will not make the people of this city rebel—but empty bellies will."
"They have rioted before," I said.
"And will do it again. We destroy the supply of maize. Our hired rumormongers go into the streets, saying the viceroy himself has burned the maize. Eh, soldados of the palace guard will be seen firing the building."
I broke out laughing. "Mateo, you are the greatest autor of plays in the civilized world."
"You underestimate my talents," he said in a tone of false modesty.
ONE HUNDRED AND TWENTY-EIGHT
"We will use the mascarada as cover for our plan," Mateo told me.
Eh, amigos, did I not tell you that there was always an excuse for a celebration in the colony? We took to the streets to celebrate the dead, the arrival of the treasure fleet, good news of victories in the wars in Europe, the birth dates of saints, investitures of bishops and viceroys... and any other momentous events we could use as an excuse.
Of all the celebrations, the colorful atmosphere of the mascarada carnival was my favorite. The excuse for this mascarada, Mateo said, was the queen's delivery of a healthy baby prince. Don Silvestre's widowed daughter told him about the celebration during one of her visits.
"She says the reason for the mascarada is to take the people's minds off their empty stomachs. The viceroy knows the temper of the street. Every time he levies a special tax for the king's wars, he throws a carnival. So he called the city notables together last week and told them they were going to put on a mascarada to celebrate the royal birth. It will permit us to go out onto the streets dressed in costume. She is purchasing costumes for us."
When her servants brought our costumes, Mateo looked at them in shock and then flew into a rage.
"I refuse to wear such rubbish!"
"Of course," I agreed, barely able to keep from laughing.
He kicked the bundle of costumes. "The Fates are laughing at me."
Don Silvestre's daughter had actually chosen the most popular mascarada costumes for our disguises: Don Quixote and his companion-servant, the rotund Sancho. Eh, how was she to know about Mateo's anger toward the doleful knight's creator.
The genius of the selection was not apparent to Mateo but came instantly to me: There would be a great number of Quixotes and Sanchos at the mascarada. We would blend in.
With no other alternative, he grudgingly agreed. Naturally he selected the main role, that of the knight, and left me with the fat, little peasant Sancho. "But do not mention the name of that blackguard who stole my soul," Mateo warned me.
We left the house dressed in our costumes.
"We will go to the main square. It will be packed, so when the parade moves, no one will notice when we veer off toward the warehouse."
The square was mobbed with people, some in costumes, most just there to watch the show others put on with their costumes and antics. At the head of the parade were trumpeters. Behind them came a long procession of carts that had been turned into scenes from the pages of history, literature, and the Bible, along with hundreds of costumed figures.
The scenery carts were elaborately designed, the gaudiest drawing the most attention from the on-lookers. Those on the street tended to be the small merchants, laborers, and the poor, while the people of quality watched from decorated balconies or rooftops.
The first exhibition parading past was indio. Men and women in the costumes of the various indio nations marched by, the warriors in battle garb, the women in traditionally festive attire. One group, wearing only enough clothes to avoid arrest, had smeared brightly hued clay paints on their bodies and marched down the street swinging clubs. From the crowd's comments, I took them to be votaries of the vicious Dog People.
Following the indios was Cortes astride his horse and surrounded by indio kings, some of whom he had killed or vanquished: Netzahualcoyotl, the poet-king of Texcoco who died before the conquest, Montezuma, who died at the hands of his own angry people, the ill-fated Chimalpopoca, who died from torture at the hands of the conquistadors, and the war god Huitzilopochtli, who took a heavy toll in lives before his temple finally fell to the Spanish.
After the scenes and characters from history, came vivid recreations of great scenes from literature. Following tradition, the first was a cart that showed mio Cid coming to the rescue of the fighting Bishop Jeronimo, who had charged the Moors singlehandedly. The scenery cart showed the bishop striking down an Infidel with a cross, rather than the lance mentioned in the poem, while Cid came charging up on horseback.
Then came Amadis de Gaul, the seminal chivalry character. The scene showed Amadis in the magic archway on Firm Island that no knight except the most valorous on earth could enter. Amadis was fighting invisible warriors, their ghostly nature shown by sheer, spider weblike cloth covering their uniforms.
"Do you hear the poor people around you," Mateo said. "They know the meaning of each scene and can even repeat words from the books—yet they have never read a book. They have heard of these characters and scenes from others. The mascarada brings them alive, making them real for people who cannot even read their own name."
Eh, it was bringing them alive for me, too, and I had read most of them.
Bernaldo de Carpio came along, slaying the Frankish champion Roland at the Battle of Roncesvalles, and a bittersweet scene came to my own mind: When I first saw Elena at the plaza in Veracruz, I had pretended I was Bernaldo.
Along came Explandian, the hero of the Fifth Book of Amadis. This was one of the books Don Quixote read. The chivalric nonsense led the knight-errant's mind astray and was among the romances his friend, the curator, burned. The scenery cart showed an enchantress conveying the sleeping Esplandian to a mysterious vessel called the Ship of the Great Serpent. The ship was a dragon.
"Palmerin de Oliva," someone said as the next cart came by. The heroic Palmerin de Oliva had gone on an adventure to find a magic fountain guarded by a giant serpent. The waters of the fountain would cure the king of Macedonia from a deadly illness. Along the way he met beautiful fairy princesses who cast a spell to protect him from the enchantments of monsters and magicians.
The Palmerin cart was the most cleverly done and awes and shouts of approval followed it. It showed Palmerin standing by the fountain and surrounded by the scantily clad fairies. Wrapped around the entire cart was a giant, coiled serpent, the monster that protected the fountain. The monster's head had risen behind Palmerin as if it were about to attack the young knight.
