Locked Doors - Crouch Blake (читаем книги онлайн .TXT) 📗

Yes, Martin has to be making this up. Though that name, Plincer, does sound familiar.

Martin tossed one of the branches they’d gathered earlier onto the fire. It made a whump sound, throwing sparks and cinders.

“But those starving, tortured prisoners staged a rebellion anyway, killing all of the guards, driving Plincer from the island. The Union, desperate to cover up their mistake, stopped sending supplies. But the strongest and craziest of the prisoners survived. Even though the food ran out.”

“How?” Tom asked. “You said there are no animals on this island.”

Martin smiled, wickedly. “They survived… by eating each other.”

“Oh, snap.” Tyrone shook his head. “That shit is sick.”

Sara raised an eyebrow at her husband. “Cannibalism, Martin?”

Martin looked at her, for the first time in hours. She searched for some softness, some love, but he was all wrapped up in his menace act.

“Some were cooked. Some were eaten raw. And during the summer months, when meat would spoil, some were kept alive so they could be eaten one piece at a time.”

Sara did a quick group check, wondering if this story was getting too intense. Everyone appeared deadly serious, their eyes laser-focused on Martin. No one seemed upset. A little scared, maybe, but these were tough kids. She decided to let Martin keep going.

Martin stood up, spreading out his hands. “Over the last five decades, more than a hundred people have vanished on this part of Lake Huron. Including those eight men and women. What happened to them was truly horrible.”

The crickets picked that eerie moment to stop chirping. Sara noticed a brief flash in her peripheral vision. Lightening? No, the weather was fine. Besides, this seemed to have come from the woods. She scanned the woods, waiting for it to happen again. They stayed dark.

Cindy eventually broke the silence. “What happened to them?”

“It’s said that these war prisoners became more animal than human, feeding on each other and on those men unlucky enough to visit. Unfortunately for this group of eight partiers, they were all doomed the minute they set foot onto Plincer’s Island. When their partying died down, and everyone was drunk and stoned and passing out, the prisoners built a gridiron.”

The word gridiron hung in the air like a crooked painting, blending into the forest sounds.

Tyrone whispered, “They built a football field?”

Martin shook his head. “The term gridiron is used for football these days, but it’s a much older word. It was a form of execution in ancient Rome. Coals are spread over the ground, stoked until they’re red hot. Then the victim is put in a special iron cage, sort of like a grill, and placed on top of the coals, roasting him alive. Unlike being burned at the stake, which is over in a few minutes, it takes hours to die on the gridiron. They say the liquid in your eyes gets so hot, it boils.”

Sara stood up. Martin should have known not to go there with the gore. “I think that’s enough, Martin. You’ve succeeded in freaking everyone out.” She forced joviality. “Now who wants to roast some marshmallows?”

“I want to hear what happened to those people,” Tom said.

“And I want to be able to sleep tonight,” Sara replied.

Sara’s eyes met Martin’s. She saw intensity there, but also resignation, and something else. Something soft and happy. Eventually his lips curled into a grin.

“But we haven’t gotten to the part where I pretend to be dragged off into the woods, kicking and screaming. That’s the best part.”

Sara placed her hands on her hips, feeling herself smile. “I’m sure we would have all been terrified.”

Martin sat back down. “You’re the boss. And if the boss wants to do marshmallows, who am I to argue?”

“I thought you’re the one who created the Center,” Laneesha asked.

Martin glanced at Sara. There was kindness in his eyes, and maybe some resignation, too.

“Sara and I created it together. We wanted to make a difference. The system takes kids who are basically good but made a few mistakes, sticks them into juvee hall, and they come out full blown crooks. The Center is aimed at giving these kids positive direction and helping them to change.” Martin smiled sadly. “Well, that was its purpose.”

“It’s bullshit the man cut your program, Martin.” Meadow tossed a stick onto the fire.

“It sucks,” Cindy added.

There were nods of agreement. Martin shrugged. “Things like this happen all the time. I’m sorry I couldn’t do more for you kids. Sara, Jack, and I are a small family, but you guys are like our—”

Martin screamed in mid-sentence, then fell backward off the log, rolling into the bushes and the darkness.

Interview with Blake Crouch by Hank Wagner

Originally Published in Crimespree, July 2009

According to his website, Blake Crouch grew up in Statesville, a small town in the piedmont of North Carolina. He graduated from the University of North Carolina at Chapel Hill in 2000, where he studied literature and creative writing. He currently resides in the San Juan Mountains of southwestern Colorado. Crouch’s first book, Desert Places, was published in 2003. Pat Conroy called it “Harrowing, terrific, a whacked-out combination of Stephen King and Cormac McCarthy.” Val McDermid described it as “An ingenious, diabolical debut that calls into question all our easy moral assumptions. Desert Places is a genuine thriller that pulses with adrenaline from start to finish.” His second novel, Locked Doors, was published in July 2005. A sequel to Desert Places, it created a similar buzz. His third novel, Abandon, was published on July 7, 2009.

HANK WAGNER: Your writing career began in college?

BLAKE CROUCH: I started writing seriously in college. I had tinkered before, but the summer after my freshman year, I decided that I wanted to try to make a living at being a writer. Spring semester of 1999, I was in an intro creative writing class and I wrote the short story (called “Ginsu Tony”) that would grow into Desert Places. Once I started my first novel, it became an obsession.

HW: Where did the original premise for Desert Places come from?

BC: The idea for Desert Places arose when two ideas crossed. I had the opening chapter already in my head... suspense writer receives an anonymous letter telling him there’s a body buried on his property, covered in his blood. I didn’t know where my protagonist was going to be taken though. Around the same time, I happened to be glancing through a scrapbook that had photographs of this backpacking trip I took in Wyoming in the mid 90’s. One of those photographs was of a road running off into the horizon in the midst of a vast desert. My brain starting working. What if my protagonist is taken to a cabin out in the middle of nowhere, by a psychopath? What if this cabin is in this vast desert, and he has no hope of escape? That photograph broke the whole story open for me.

HW: Why a sequel for your second book? Affection for the characters?

BC: It was actually my editor’s idea. I was perfectly happy walking away from the first book. But once she mentioned it during the editing of Desert Places, I really started to think about where the story could go, wondered how Andy might have changed after seven years in hiding, and I got excited about doing it. And I’m very glad I did, because I would’ve missed those characters. Even my psychopaths are family in some strange, twisted way.