[The Girl From UNCLE 01] - The Global Globules Affair - Latter Simon (е книги .txt) 📗

"Ah yes, of course—you would know of Sirdar the Turk in your business. It shows what an innocent I am in these international affairs. I had never heard of him. Have you ever met him?"

"Once," said April. "I broke both his arms."

"Oh dear!" said Karadin. "Then he will not like you very much, will he? But not to worry. He is not in England right now."

"He's prospered during these last few years. There seems to be limitless money to hire bodyguards, security guards and other thick-necked scum of our modern society. Oh, by the way, Doctor, I forgot to tell you..."

The car had entered a curving driveway. Karadin was moving in his seat, hand on door. He paused and looked back at her. "Yes?"

"Oh, nothing!" She smiled brightly. "It'll keep." The house was squat, dark-stoned under the dripping canopy of the trees surrounding it. Once a small moorland house, it obviously had been enlarged by wings at each side and a glass-enclosed verandah stretching from end to end, so that the original upper floor and roof appeared to have been stuck on as a builder's afterthought.

The hail was bright with fluorescent lighting, reflecting from white paint on walls and a number of smooth-paneled doors. A stone-flagged floor with a large refectory table dead center gave the place the air of a morgue. In an alcove beside the front door, an elderly man sat at a console of switches and dials. April noticed also a short-wave sender/ receiver radio.

Karadin said: "Your purse, Miss Dancer." He held out his hand.

"Oh, please!" she protested. "There's only a lady's doodads in it. Let me keep my self-respect!"

As she already had transferred certain vital U.N.C.L.E. devices to special pockets in her attractively fitting costume, she didn't really care whether or not they took it. She was not surprised when Greco snatched it from her.

Karadin searched it, tipping out the contents on to the table. The safety-catch was on the compact, so that when he flipped it open it appeared to be a harmless toiletry, as did the stiletto comb and the lipstick. April had had to take a chance on these remaining if she were made prisoner. No modern miss would be without such items in her purse. She left one red-herring—an obsolete U.N.C.L.E. communicator.

"Ah!" said Karadin, seizing it. "This is one lady's doodad you will not need!" He shrugged. "Otherwise—who wants such clutter?" He prodded the lining, then threw the purse across the table.

As her real communicator was tucked safely on her person she made a show of protest by swearing softly in French, a fact which seemed to please Karadin. He patted her hand.

"You must believe me—I am so sorry you forced me to take this action. I am not a fanatic, though many have called me one. I am sorry too that with your beauty and talents you should have chosen such a hazardous and unrewarding career." He gave a despairing gesture with his hands. "Oh, I do not mean money—no doubt you are highly paid—but you could have been a physicist, a doctor, a great sociologist—the world was yours to choose. I was one teacher who gave you the foundation on which to build. You took my teaching but laughed at my ideals and my ideas. Now, you are still the pupil and I am still the master, but this time your lesson is going to be painful—and possibly final."

"Yet you would send me to it?" she enquired.

Again he spread his hands. "As I would send a child for correction. If you will not learn, then you must suffer. If you seek only to destroy all that you do not understand or agree with, then it may be necessary that you be destroyed."

She stared at him with level, unblinking gaze.

"I believe you are planning to create a currency chaos. If you do so, then you and your associates may become the rulers of the world. Would you expect us to stand by and applaud your efforts to achieve a near-world domination?"

His eyes glittered. "Oh yes, indeed you are dangerous, my dear Miss Dancer. And I am an emotional old fool to even try respecting your womanhood. Your brain is fast and deep, and I think you too have your dreams of power, yet you deny them to others." He snapped his fingers at Manou and Greco. "Take her—you know where."

She let them—in fact, made them—carry her up the stairs. They dumped her on a divan bed in a small, sparsely furnished room overlooking the rear of the house. The window was barred, but close inspection showed these were old fittings from the days when the room might have been a nursery.

"Well, sweetie," she said to herself, "you've got yourself just where you wanted to be—nicely helped along by K, the nutcase. We will now get organized." She began testing various items of equipment, and rearranging the U.N.C.L.E. devices about her person.

The house was quiet. The rain pattered hesitantly against the window, easing off now, the mist clearing from the lower slopes of the moors it had shrouded. She tested the compact TV circuit. Reception was poor, but by climbing on a chair and reaching up to where a TV aerial lead-in passed the window she obtained a stronger signal.

The voice was mushy and his picture blurred, but Roberts, the link man in London, could hear her. He listened carefully to her report and gave her the information for which she'd been waiting. "Good," she said. "Just what I wanted. But the British S.B. aren't holding the girl, are they?"

"There's not really any charge against her. In fact, she could charge Mr. Slate with assault."

April chuckled softly. "I bet she would too. Now listen, Robbo—get on to Slate's friend Jeff and fix for him to hustle Suzanne into that nursing home we control in London. You know?"

"I know. Are you asking for assistance?"

"Not yet. I must find out the purpose of this place before we make any attack. This is a lone-wolf job. If we bungle it, the whole organization may fade away." She paused, hearing footsteps. "Danger comes. Over and out."

She leapt to the door, hammering on it with her fists and yelling: "Hey—you there—hey!" The lock snicked back. She had to jump away to avoid being hit by the door as it crashed inwards.

"You stop," said Greco. "No shout—see?" His big hand stretched out, dirty spatulate fingers almost touching her lips.

Revulsion filled her with sudden fury.

"Don't paw me—you big clunk!" Her hands fastened on wrist and elbow. She moved fast and sure. Greco yelled as the bone snapped in the same second that his body was impelled in a flying arc across the room. He crashed on to the washbowl, head first. It split asunder as his head lolled back among the debris. She stepped across and took the gun from his pocket.

"Oh, well!" April Dancer shrugged. "I guess I was too good to last." She walked downstairs.

The elderly man at the console stared at her. Then at the leveled gun. His fingers eeked towards a red button.

"Please don't," said April. "I dislike killing, and wounding is messy."

The man's fingers stopped moving.

"I want one thing from you, Pop—just one. On which extension can I speak to Dr. Karadin?"

"Extension 12." He flicked a finger towards the board. "You just depress this key." He grinned. "You've got guts, lass, but you'll not get out of here. Yon moor is a scary place for a girl on her own, even if you do."

"Well, well! A soft-hearted custodian. And Yorkshire to boot!"

"Aye." His eyes widened. "Nay, lass, wait..."

The tiny sleep gun spat accurately. He clapped a hand to his chest, his eyes filled with fear.