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Surface Tension
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Years ago Seychelle Sullivan had the chance to save a person's life. But on that summer night in Fort Lauderdale, lost in a world of teenage resentment and loneliness, Seychelle was not able to comprehend any pain but her own. Today Seychelle captains her forty-­six-­foot salvage boat out of Fort Lauderdale's New River. She's seen change sweep through South Florida, and has witnessed friends and lovers come and go. But she's never escaped that one moment when she could have made a difference and didn't. Now each time she rescues a ship in distress, a little hope stirs in her again. On a steamy Florida morning Seychelle is answering a Mayday call launched from a five-­million-­dollar Broward yacht called Top Ten. Racing her fiercest competitor for salvage rights, Seychelle has a personal stake in this rescue: Her former lover, Neal Garrett, is the yacht's hired skipper. But being the first to reach Top Ten will lead Seychelle to a bloody payday. A beautiful woman has been stabbed to death onboard. And Garrett is no where to be found. Even on shore, the pressures are mounting - Seychelle owes money on her boat, and her love life is in shambles. Within twenty-­four hours of finding the dead woman and towing Top Ten out of the surf, Seychelle realizes that she has stepped into a lethal business involving some of South Florida's sleaziest criminals. While the police treat her as the prime suspect, Seychelle begins to unravel a tangled plot centered on a strip club where "all the girls are tens on top.­" Discovering the sordid secrets of the owner of the yacht she rescued and the fate of the man she once loved, Seychelle is connecting human predators with innocent victims, and a mystery on land with a mystery buried deep beneath the sea. Now, to find out what really happened to Neal Garrett, Seychelle must retrace his last steps, through two murders and a horrific crime wave to a final confrontation with someone who may want to kill her...­or be her salvation.­From Publishers WeeklyIn this strong suspense debut, Seychelle Sullivan owns a salvage tug near Fort Lauderdale, Fla., and makes a precarious living piloting luxury yachts and sportfishing boats in the Florida waters. When her radio picks up a distress call from the Top Ten, she hurries to the scene, hoping to net a windfall. The luxurious yacht is skippered by her former lover, Neal, who seems to have abandoned ship and left a dead body behind. Who is the dead girl, where is Neal, why do the police suspect Seychelle, and how much can she hope to recover for salvaging the yacht? When she finds her modest cottage has been searched and her stash of emergency money is missing, she figures Neal must be alive, hiding from the police or from the girl's killer. The Top Ten's representative offers a paltry sum to settle the salvage claim, so Seychelle decides to find out who the real owner is and go to arbitration. As the tension and suspense build, Seychelle's existence becomes increasingly precarious. Kling vividly portrays a characteristic dichotomy of the Sunshine State-­native Floridians trying to earn an honest living in an atmosphere where anything and anyone can be tainted by loan sharks, drug money or worse. As a female tugboat captain, Seychelle is one of the genre's more unusual amateur sleuths, and Kling makes her one of its more endearing ones as well.­Copyright 2002 Reed Business Information, Inc. From Library JournalSalvage boat operator Seychelle Sullivan has a good reason to rush to the rescue of a beleaguered yacht: an old flame is the hired skipper. Complicating matters, though, is the dead body onboard. A much-­touted debut. Copyright 2002 Reed Business Information, Inc.

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SURFACE TENSION

CHRISTINE KLING

Tell-Tale Press

2012

About This Book

Surface Tension was first published in hard cover by Ballantine Books in 2002. The mass market paperback came out from the same publisher in 2004, and Ballantine produced the first ebook in 2007. This digital edition was published in April, 2012.

This file is licensed for private individual entertainment only. The book contained herein constitutes a copyrighted work and may not be reproduced, stored in or introduced into an information retrieval system or transmitted in any form or by any means for any reason (excepting the uses permitted to the licensee by copyright law under terms of fair use) without the specific written consent of the author. Please purchase only authorized electronic editions. Your support of authors’ rights is appreciated.

This book is a work of fiction. Names, places, characters and incidents are the product of the author’s imagination, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2002, 2012 by Christine Kling

All Rights Reserved

Cover design by Robin Ludwig Design, Inc.

Visit Christine Kling at http://www.christinekling.com

Tim, this one’s for your dad.

Acknowledgements

I would like to thank the following people:

Tracy Brown, Ballantine Books; Judith Weber, Sobel/Weber Associates; Red Koch, tug Hero; Marcia Trice and Clio, dancers at Tootsie’s; Mike Springstun, Hollywood Police Department; Mark Meyers, Deerfield Beach Fire Department; Ed Magno, DEA; R. C. White, Fort Lauderdale Police Department; James W. Hall, Lynne Barrett, and Les Standiford, Florida International University; Laurie Foster; Barbara Lichter, Elaine Vannostrand, Carole Lytle, Pat and J. J. Gray, Cindy Gray, Steve Gray, my readers, my family and friends, and finally, my son, Tim Kling.

I

The mayday call broke through some fishermen’s chatter on channel sixteen. Brushing stray hairs back toward my ponytail, I quieted my breathing and listened. I always left the tug’s wheelhouse VHF radio turned up extra loud so that I wouldn’t have to feel guilty about missing any calls. Let’s face it, towing and salvage is a tough business, and if any calls for tows came in, I needed to get on the horn and make the deal before the competition.

I was down in the head compartment, wedged in alongside the Royal Flusher whose display model had operated so beautifully at the boat show, but once installed, it plugged up regularly every time I allowed someone else to use the head. B.J. was supposed to have been here this morning to fix the damn thing, and instead I found myself scrunched up in the tiny compartment, trying to make sense of an exploded diagram of a toilet.

The radio finally squawked again. “Mayday, mayday, this is the Top Ten.”

I dropped a washer under the shower grate and banged my head on the porcelain bowl. The Top Ten. Neal’s boat. And it had been a woman’s voice.

I straightened out my legs and tried to extricate myself from the pretzel-like position required to get at the bolts on the base of the Flusher. Please let him be all right, I thought. He should be the one making that radio call; the fact that he wasn’t was causing the hairs on my arms to lift in spite of the Florida heat. Where was he? Yet, in the midst of my worry, I couldn’t help but wonder who the woman was. Neal didn’t actually own the Top Ten; she was a ninety-two-foot private motor yacht, and Neal Garrett, all five feet eleven inches of sunny, brown-skinned, blue-eyed smiles, was her hired skipper and my former lover.

I backed out of the head and made it up to the wheel-house in three long strides. Coast Guard Station Fort Lauderdale was already on the air trying to get the woman to state the vessel’s position. Several times their transmission got stepped on by local traffic, and she became more hysterical by the minute. You weren’t supposed to call mayday unless someone’s life was in danger. The question was, did she know that? I didn’t recognize her voice, but I had heard in the Downtowner that Neal had teamed up with some young girl he met there in the bar. Where was Neal?

I wiped my hands on my cutoff jeans and kicked the toolbox closed with the toe of my deck shoe. I wanted to break in on her transmission with the Coasties to ask about Neal, but, of course, that would be against regulations. The Coast Guard radio operators could be so exasperating sometimes. It seemed like they had to know everybody’s mother’s maiden name before they could determine the nature of an emergency.

“How many persons are on board?”

“Nobody,” she said, “at least not now. I don’t know what to do. Please, we’re getting closer.”

He finally asked her what was wrong. The boat was drifting, she said, toward some tall white buildings. Then she broke off, and he couldn’t get her to respond.

Now, that’s a big help, I thought as I clicked on the VHF radio direction finder, turned up the radio, and slipped out of the wheelhouse. From her description, she could be anywhere along the hundred miles of tall white buildings from Palm Beach to Coconut Grove.

I jumped the gap from the gunwale of my tug to the seawall and then trotted across the lawn to my little cottage to lock up. I looked around for B.J., usually both my mechanic and the best deckhand I knew. The storm shutters were all closed on the big house, where he had been working in the library the day before. I trotted around the side of the house.

I had met B.J. when I used to work as a lifeguard down on Lauderdale beach. A big Samoan, he often surfed after work with a couple of the other lifeguards. When they introduced us one afternoon, he was one of the few people who had recognized something in my name.

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