Perfume. The story of a murderer - Suskind Patrick (читать книги онлайн бесплатно полностью без сокращений .txt) 📗
For little Grenouille, Madame Gaillard’s establishment was a blessing. He probably could not have survived anywhere else. But here, with this small-souled woman, he throve. He had a tough constitution. Whoever has survived his own birth in a garbage can is not so easily shoved back out of this world again. He could eat watery soup for days on end, he managed on the thinnest milk, digested the rottenest vegetables and spoiled meat. In the course of his childhood he survived the measles, dysentery, chicken pox, cholera, a twenty-foot fall into a well, and a scalding with boiling water poured over his chest. True, he bore scars and chafings and scabs from it all, and a slightly crippled foot left him with a limp, but he lived. He was as tough as a resistant bacterium and as content as a tick sitting quietly on a tree and living off a tiny drop of blood plundered years before. He required a minimum ration of food and clothing for his body. For his soul he required nothing. Security, attention, tenderness, love-or whatever all those things are called that children are said to require— were totally dispensable for the young Grenouille. Or rather, so it seems to us, he had totally dispensed with them just to go on living-from the very start. The cry that followed his birth, the cry with which he had brought himself to people’s attention and his mother to the gallows, was not an instinctive cry for sympathy and love. That cry, emitted upon careful consideration, one might almost say upon mature consideration, was the newborn’s decision against love and nevertheless for life. Under the circumstances, the latter was possible only without the former, and had the child demanded both, it would doubtless have abruptly come to a grisly end. Of course, it could have grabbed the other possibility open to it and held its peace and thus have chosen the path from birth to death without a detour by way of life, sparing itself and the world a great deal of mischief. But to have made such a modest exit would have demanded a modicum of native civility, and that Grenouille did not possess. He was an abomination from the start.
He decided in favor of life out of sheer spite and sheer malice.
Obviously he did not decide this as an adult would decide, who requires his more or less substantial experience and reason to choose among various options. But he did decide vegetatively, as a bean when once tossed aside must decide if it ought to germinate or had better let things be.
Or like that tick in the tree, for which life has nothing better to offer than perpetual hibernation. The ugly little tick, which by rolling its blue-gray body up into a ball offers the least possible surface to the world; which by making its skin smooth and dense emits nothing, lets not the tiniest bit of perspiration escape. The tick, which makes itself extra small and inconspicuous so that no one will see it and step on it. The lonely tick, which, wrapped up in itself, huddles in its tree, blind, deaf, and dumb, and simply sniffs, sniffs all year long, for miles around, for the blood of some passing animal that it could never reach on its own power. The tick could let itself drop. It could fall to the floor of the forest and creep a millimeter or two here or there on its six tiny legs and lie down to die under the leaves-it would be no great loss, God knows. But the tick, stubborn, sullen, and loathsome, huddles there and lives and waits. Waits, for that most improbable of chances that will bring blood, in animal form, directly beneath its tree. And only then does it abandon caution and drop, and scratch and bore and bite into that alien flesh…
The young Grenouille was such a tick. He lived encapsulated in himself and waited for better times. He gave the world nothing but his dung-no smile, no cry, no glimmer in the eye, not even his own scent. Every other woman would have kicked this monstrous child out. But not Madame Gaillard. She could not smell that he did not smell, and she expected no stirrings from his soul, because her own was sealed tight.
The other children, however, sensed at once what Grenouille was about. From the first day, the new arrival gave them the creeps. They avoided the box in which he lay and edged closer together in their beds as if it had grown colder in the room. The younger ones would sometimes cry out in the night; they felt a draft sweep through the room. Others dreamed something was taking their breath away. One day the older ones conspired to suffocate him. They piled rags and blankets and straw over his face and weighed it all down with bricks. When Madame Gaillard dug him out the next morning, he was crumpled and squashed and blue, but not dead. They tried it a couple of times more, but in vain. Simple strangulation-using their bare hands or stopping up his mouth and nose— would have been a dependable method, but they did not dare try it. They didn’t want to touch him. He disgusted them the way a fat spider that you can’t bring yourself to crush in your own hand disgusts you.
As he grew older, they gave up their attempted murders. They probably realized that he could not be destroyed. Instead, they stayed out of his way, ran off, or at least avoided touching him. They did not hate him. They weren’t jealous of him either, nor did they begrudge him the food he ate. There was not the slightest cause of such feelings in the House of Gaillard. It simply disturbed them that he was there. They could not stand the nonsmell of him. They were afraid of him.
Five
LOOKED AT objectively, however, there was nothing at all about him to instill terror. As he grew older, he was not especially big, nor strong-ugly, true, but not so extremely ugly that people would necessarily have taken fright at him. He was not aggressive, nor underhanded, nor furtive, he did not provoke people. He preferred to keep out of their way. And he appeared to possess nothing even approaching a fearful intelligence. Not until age three did he finally begin to stand on two feet; he spoke his first word at four, it was the word “fishes,” which in a moment of sudden excitement burst from him like an echo when a fishmonger coming up the rue de Charonne cried out his wares in the distance. The next words he parted with were “pelargonium,” “goat stall,” “savoy cabbage,” and “Jacqueslorreur,” this last being the name of a gardener’s helper from the neighboring convent of the Filles de la Croix, who occasionally did rough, indeed very rough work for Madame Gaillard, and was most conspicuous for never once having washed in all his life. He was less concerned with verbs, adjectives, and expletives. Except for “yes” and “no”-which, by the way, he used for the first time quite late-he used only nouns, and essentially only nouns for concrete objects, plants, animals, human beings— and only then if the objects, plants, animals, or human beings would subdue him with a sudden attack of odor.
One day as he sat on a cord of beechwood logs snapping and cracking in the March sun, he first uttered the word “wood.” He had seen wood a hundred times before, had heard the word a hundred times before. He understood it, too, for he had often been sent to fetch wood in winter. But the object called wood had never been of sufficient interest for him to trouble himself to speak its name. It happened first on that March day as he sat on the cord of wood, The cord was stacked beneath overhanging eaves and formed a kind of bench along the south side of Madam Gaillard’s shed. The top logs gave off a sweet burnt smell, and up from the depths of the cord came a mossy aroma; and in the warm sun, bits of resin odor crumbled from the pinewood planking of the shed.
Grenouille sat on the logs, his legs outstretched and his back leaned against the wall of the shed. He had closed his eyes and did not stir. He saw nothing, he heard nothing, he felt nothing. He only smelled the aroma of the wood rising up around him to be captured under the bonnet of the eaves. He drank in the aroma, he drowned in it, impregnating himself through his innermost pores, until he became wood himself; he lay on the cord of wood like a wooden puppet, like Pinocchio, as if dead, until after a long while, perhaps a half hour or more, he gagged up the word “wood.” He vomited the word up, as if he were filled with wood to his ears, as if buried in wood to his neck, as if his stomach, his gorge, his nose were spilling over with wood. And that brought him to himself, rescued him only moments before the overpowering presence of the wood, its aroma, was about to suffocate him. He shook himself, slid down off the logs, and tottered away as if on wooden legs. Days later he was still completely fuddled by the intense olfactory experience, and whenever the memory of it rose up too powerfully within him he would mutter imploringly, over and over, “wood, wood.”
