The Great Railway Bazaar - Theroux Paul (читать книги бесплатно полностью без регистрации сокращений .TXT) 📗

Jaipur was a pink princely city of marvels, but the vandalism and ignorance of those people who herded their goats into the frail ruins, painted over frescoes, and used the palace as a backdrop for filming diminished its attraction. A shouting film crew had occupied the City Palace, and its presence made the place seem a construction of exorbitant fakery. I gave my lecture; I was anxious to catch the train, but the timetable said there would not be a train to Delhi until 12.34 the following morning. It was an awkward time to leave: a day and an entire evening lay before me, and I did not relish the prospect of standing at Jaipur Junction at midnight.

'Today we go to the museum,' said Mr Gopal, the day after Galta.

'Let's give the museum a miss.'

'Very interesting place, and you said you wanted to see Moghul paintings. This is home of Moghul paintings!'

Outside the museum I said, 'When was this built?'

'About 1550.'

He hadn't hesitated. But today I had my handbook. The building he had placed in the mid-sixteenth century was the Albert Hall, started in 1878 and finished in 1887. In 1550 Jaipur did not exist, though I didn't have the heart to tell that to Mr Gopal, who had sulked when I contradicted him the previous day. Anyway, a weakness for exaggeration seemed a chronic affliction of some Indians. Inside the museum, another guide was showing a tentlike red robe to a group of tourists. He said, 'This belong to famous Maharajah Madho Singh. A big fat man. Seven feet tall, four feet wide, and weighing five hundred pounds.'

At Jai Singh's observatory, a garden of astronomer's marble instruments that looks at first glance like a children's playground, with slides and ladders and fifty-foot chutes splayed out symmetrically against the sun, Mr Gopal said he had visited the place many times. He showed me a great bronze disk that looked as if it might be a map of the night sky. I asked him if that was so. No, he said, it was to tell the time. He showed me a beacon, a submerged truncated hemisphere, a tower with eighty steps, a series of radiating benches: these were also for telling time. All this delicate apparatus, used by Prince Jai Singh (I read in my handbook) for finding altitudes and azimuths and celestial longitudes, Mr Gopal saw as a collection of oversized clocks.

While Mr Gopal was having lunch I sneaked off and bought my ticket to Delhi. The station at Jaipur Junction is modelled after the lovely buildings in the walled city. It is red sandstone, with cupolas, great arches, and substantial pillars that approach the palatial; inside are murals of lemon-faced women and turbaned men, enlargements of the traditional paintings, with borders of posies.

'I take it I won't be able to catch the train until after midnight,' I said.

'No, no,' said the clerk. 'Sooner than that.'

And he explained. The first-class sleeping car was already on the siding, being cleaned up to join the Delhi Mail. I could board in the early evening, and after midnight the Mail would pull in from Ahmadabad and this sleeping car would be hitched to it. He said I should not be alarmed if I boarded a sleeping car detached from a train: the train would arrive on time.

'Come down here tonight,' he said, 'and ask for two-up first-class ACC bogie. We will show you.'

Later in the day I had a long meal with Mr Gopal in a Jaipur restaurant and afterwards announced that I would be going to the station. Mr Gopal said there was no train: 'You will have hours to wait.' I said I didn't mind. I went to the station and climbed aboard the cosily lighted sleeping car that was parked at the far end of the platform. My compartment was large. The conductor showed me the desk, the shower, the lights. I took a shower, and then in my bathrobe wrote a letter to my wife and copied out the commandments from the temple at Galta into my notebook. It was still early. I sent the conductor out for beer and had a talk with the Indian in the next compartment.

He was a professor at Rajasthan University, and he was interested to learn that I had given a lecture for the English Department. He said he rather disliked university students; they littered the grounds with election posters and hired people to clean up after the election. They were silly, short-sighted, and disorderly; they were always posturing. 'Sometimes,' he said, 'it makes my blood boil.'

I told him about Mr Gopal.

'You see?' he said. 'I'll tell you something. The average Indian knows very little about his religion, or India, or anything else. Some are ignorant of the most simple things, such as Hindu concepts or history. I agree with Naipaul one hundred per cent. They don't like to appear ignorant before a Westerner, but most Indians don't know any more about their temples and writing and what-not than the tourists – many know a lot less.'

'Aren't you exaggerating?'

'I am saying what I know. Of course, when a man gets older he begins to take an interest. So some old men know about Hinduism. They get a bit worried about what is going to happen to them.'

I offered the professor a beer, but he said he had some paperwork to do. He said good night and went into his compartment, and I withdrew into mine. We were still at the siding at Jaipur Junction. I poured myself a beer and lay in my berth reading Forster's The Longest Journey. I had been misled: this was no travel book; it was the story of a bad short-story writer and his callow wife and sniping friends. I threw it aside and read a few pages of The Autobiography of a Yogi, then fell asleep. I was awakened at half-past twelve by a bump: my bogie's being coupled to the Delhi Mail. All night the train rocked and clicked towards Delhi, while I slumbered in my cool room, and I was so refreshed on arriving that I decided to leave that same evening for Madras to see if, as my map said – though everyone claimed it was impossible – I could take a train to Ceylon.

Chapter Twelve

The lumbering express that bisects India, a 1400-mile slash from Delhi south to Madras, gets its name from the route. It might easily have derived it from the kind of luggage the porters were heaving on board. There were grand trunks all over the platform. I had never seen such heaps of belongings in my life, or so many laden people: they were like evacuees who had been given time to pack, lazily fleeing an ambiguous catastrophe. In the best of times there is nothing simple about an Indian boarding a train, but these people climbing into the Grand Trunk Express looked as if they were setting up house – they had the air, and the merchandise, of people moving in. Within minutes the compartments were colonized, the trunks were emptied, the hampers, food baskets, water bottles, bedrolls, and Gladstones put in place; and before the train started up its character changed, for while we were still standing at Delhi Station the men stripped off their baggy trousers and twill jackets and got into traditional South Indian dress: the sleeveless gym-class undershirt and the sarong they call a lungi. These were scored with packing creases. It was as if, at once – in expectation of the train whistle -they all dropped the disguise they had adopted for Delhi, the Madras-bound express allowing them to assume their true identity. The train was Tamil; and they had moved in so completely, I felt like a stranger among residents which was odd, since I had arrived earlier than anyone else.

Tamils are black and bony; they have thick straight hair and their teeth are prominent and glisten from repeated scrubbings with peeled green twigs. Watch a Tamil going over his teeth with an eight-inch twig and you begin to wonder if he isn't trying to yank a branch out of his stomach. One of the attractions of the Grand Trunk Express is that its route takes in the forests of Madhya Pradesh, where the best toothbrush twigs are found; they are sold in bundles, bound like cheroots, at the stations in the province. Tamils are also modest. Before they change their clothes each makes a toga of his bedsheet, and, hopping up and down and working his elbows, he kicks his shoes and trousers off, all the while babbling in that rippling speech that resembles the sputtering of a man singing in the shower. Tamils seem to talk constantly – only toothbrushing silences them. Pleasure for a Tamil is discussing a large matter (life, truth, beauty, 'walues') over a large meal (very wet vegetables studded with chillies and capsicums, and served with damp puris and two mounds of glutinous rice). The Tamils were happy on the Grand Trunk Express: their language was spoken; their food was served; their belongings were dumped helter-skelter, giving the train the customary clutter of a Tamil home.