Einstein's Monsters - Amis Martin (книги без регистрации бесплатно полностью .TXT) 📗

Solly Zuckerman has suggested that the Allies' complaisance on SDI, lukewarm and hangdog though it was, could not have survived a reading of Jastrow. Probably the same could not be said for Alun Chalfont, whose Star Wars: Suicide or Survival? welcomes SDI in the baritone of gruff realism. True, the Initiative will entail "high risk"; true, the Initiative "calls for an entirely new approach to the doctrines underlying arms control policies"; true, the Initiative will cost a trillion dollars. But it's worth it. Highly risky, entirely revolutionary, and incredibly expensive, it's worth it -because of the Gap. The Soviets will soon be doing it, or have started doing it, or (he sometimes seems to suggest) have already done it. So we'd better do it too… Interestingly, what exercises Lord Chalfont is not the existence of nuclear weapons, an existence which, he says, cannot be "repealed." [1] What exercises Lord Chalfont is the existence of their opponents. Now here is something we can get rid of. Civility, in any case, absents itself from his prose whenever the subject of peace-or "peace"-is wearily introduced. "Immediately the peace industry begins its predictable uproar… a coalition of misguided idealists, with a sprinkling of useful idiots and Soviet agents (conscious and unconscious)." Annoyed by references to the war "industry," he nonetheless accords industrial status to the peace movement. Why? Where are the factory townships of peace? Where are its trillion-dollar budgets? At one point Chalfont discusses American plans for the deployment of enhanced radiation warheads in Europe… there is, at once, an uproar against the "neutron bomb"-described by the mentally enfeebled as a capitalist weapon, designed to kill people but preserve property.

Chalfont isn't happy with the phrase "capitalist weapon," and one concurs. But how happy is he with "enhanced radiation warheads"? How happy is he with "enhanced"?

E. P. Thompson is unfortunately not much nearer to finding the voice of appropriate and reliable suasion. He has made great sacrifices for the cause he leads; he is brilliant, he is charismatic, he is inspiring; but he is not reliable. In Star Wars, as elsewhere, Professor Thompson shows himself to be the fit exponent of the nuclear High Style. He is witty and grand, writing with the best kind of regulated hatred. How devastating he is, for example, on the SDI public-relations effort. From the confidential literature:

Innumberable opportunities for highly visible "cause" activism could be opened up… interest to Catholics also… Such a ratification effort would permit the White House to look good in confronting powerful anti-BMD domestic critics… addresses "Eurostrategic" issues, which are big today… play freely on high-road ethical themes (by far the best mobilizational approach)…

Thompson is devastating about SDI; his case is well-nigh complete. But he will devastate nobody-indeed, he may even subvert the converted-because he has no respect for tone.

His tone is lax, impatient, often desperately uncertain; it is excitedly alarmist; it takes pleasure in stupidity. His anti-Americanism ("the US of A is inherently moral," "President of Planet Earth," "I want you Commies to come out with your hands up") is as dated and grueling, and as much a matter of stock response, as the counterprejudices of Lord Chalfont. Thompson also makes jokes. He likes this joke so well that he cracks it twice:

Already, the soon-to-be President warned, the window [of vulnerability] might be so wide open that "the Russians could just take us with a phone call." "Hallo! Mr. Reagan, is zat you? Tovarich Brezhnev here. Come on out with your hands up, or I put zis Bomb through the window!"

Everything in you recoils from this. You sit back and rub your eyes, wondering how much damage it has done. For in the nuclear debate, as in no other, the penalty for such lapses is incalculable. Human beings are unanimous about nuclear weapons; human institutions are not. Our hopes lie in a gradual symbiosis. We must find the language of unanimity.

I argue with my father about nuclear weapons. In this debate, we are all arguing with our fathers. They emplaced or maintained the status quo. They got it hugely wrong. They failed to see the nature of what they were dealing with- the nature of the weapons-and now they are trapped in the new reality, trapped in the great mistake. Perhaps there will be no hope until they are gone. Out on the fringes there are people who believe that we ought to start killing certain of our fathers, before they kill us. This reminds me of the noble syllogism (adduced by Schell) of Failed Deterrence: "He, thinking I was about to kill him in self-defense, was about to kill me in self-defense. So I killed him in self-defense." Yes, and then he killed me in retaliation, from the grave. Our inherited reality is infinitely humiliating. We must try to do a little better.

My father regards nuclear weapons as an unbudgeable given. They will always be necessary because the Soviets will always have them and the Soviets will always want to enslave the West. Arms agreements are no good because the Soviets will always cheat. Unilateral disarmament equals surrender. And anyway, it isn't a case of "red or dead." The communist world is itself nuclear-armed and deeply divided: so it's a case of "red and dead."

Well, dead, at any rate, is what this prescription seems to me to promise. Nuclear weapons, my father reminds me, have deterred war for forty years. I remind him that no global abattoir presided over the century-long peace that followed Napoleon's discomfiture in 1815. And the trouble with deterrence is that it can't last out the necessary time-span, which is roughly between now and the death of the sun. Already it is falling apart from within. When I say that America is as much of a threat as the Soviet Union my father categorizes me as someone who takes democracy lightly, who takes freedom lightly. But of course it is the weapons themselves that are the threat. Ironically, an autocracy is much the better equipped to deal with this question, because the question is superpolitical. There is no one for the Soviets to deal with-leaders of sharply deteriorating caliber, beset by democracy, by politics, and doing six-month stints between midterm elections, lame-duck periods, and the informal referenda of American public life. And there is money, the money. It would seem, at the time of writing, that the Soviet Union can't afford to go on and that the United States can't afford to stop. Saul Bellow has written that there are certain evils-war and money are the examples he gives-that have the power to survive identification as evils. They cheerfully continue, as evils, as known evils. Could it be a further accomplishment of nuclear weapons that they have united these continuations, in a process of terminal decay? So the world ends in the same way The Pardoner's Tale ends, with the human actors gone, leaving behind (though no one will find them) the spent weapons and the unspent money, the weapons and the money.

Anyone who has read my father's work will have some idea of what he is like to argue with. When I told him that I was writing about nuclear weapons, he said, with a lilt, "Ah. I suppose you're… 'against them,' are you?" Epater les bien-pensants is his rule. (Once, having been informed by a friend of mine that an endangered breed of whales was being systematically turned into soap, he replied, "It sounds like quite a good way of using up whales." Actually he likes whales, I think, but that's not the point.) I am reliably ruder to my father on the subject of nuclear weapons than on any other, ruder than I have been to him since my teenage years. I usually end by saying something like, "Well, we'll just have to wait until you old bastards die off one by one." He usually ends by saying something like, "Think of it. Just by closing down the Arts Council we could significantly augment our arsenal. The grants to poets could service a nuclear submarine for a year. The money spent on a single performance of Rosenkavalier might buy us an extra neutron warhead. If we closed down all the hospitals in London we could…" The satire is accurate in a way, for I am merely going on about nuclear weapons; I don't know what to do about them.