Dombey and Son - Dickens Charles (е книги .txt) 📗

'Before when? Before what?' said Florence, putting her hand upon his arm.

'Did I say "before?"' replied old Sol. 'If I did, I must have meant before we should have news of my dear boy.'

'You are not well,' said Florence, tenderly. 'You have been so very anxious I am sure you are not well.'

'I am as well,' returned the old man, shutting up his right hand, and holding it out to show her: 'as well and firm as any man at my time of life can hope to be. See! It's steady. Is its master not as capable of resolution and fortitude as many a younger man? I think so.

We shall see.'

There was that in his manner more than in his words, though they remained with her too, which impressed Florence so much, that she would have confided her uneasiness to Captain Cuttle at that moment, if the Captain had not seized that moment for expounding the state of circumstance, on which the opinion of the sagacious Bunsby was requested, and entreating that profound authority to deliver the same.

Bunsby, whose eye continued to be addressed to somewhere about the half-way house between London and Gravesend, two or three times put out his rough right arm, as seeking to wind it for inspiration round the fair form of Miss Nipper; but that young female having withdrawn herself, in displeasure, to the opposite side of the table, the soft heart of the Commander of the Cautious Clara met with no response to its impulses. After sundry failures in this wise, the Commander, addressing himself to nobody, thus spake; or rather the voice within him said of its own accord, and quite independent of himself, as if he were possessed by a gruff spirit: 'My name's Jack Bunsby!'

'He was christened John,' cried the delighted Captain Cuttle. 'Hear him!'

'And what I says,' pursued the voice, after some deliberation, 'I stands to.

The Captain, with Florence on his arm, nodded at the auditory, and seemed to say, 'Now he's coming out. This is what I meant when I brought him.'

'Whereby,' proceeded the voice, 'why not? If so, what odds? Can any man say otherwise? No. Awast then!'

When it had pursued its train of argument to this point, the voice stopped, and rested. It then proceeded very slowly, thus: 'Do I believe that this here Son and Heir's gone down, my lads?

Mayhap. Do I say so? Which? If a skipper stands out by Sen' George's Channel, making for the Downs, what's right ahead of him? The Goodwins. He isn't foroed to run upon the Goodwins, but he may. The bearings of this observation lays in the application on it. That ain't no part of my duty. Awast then, keep a bright look-out for'ard, and good luck to you!'

The voice here went out of the back parlour and into the street, taking the Commander of the Cautious Clara with it, and accompanying him on board again with all convenient expedition, where he immediately turned in, and refreshed his mind with a nap.

The students of the sage's precepts, left to their own application of his wisdom — upon a principle which was the main leg of the Bunsby tripod, as it is perchance of some other oracular stools — looked upon one another in a little uncertainty; while Rob the Grinder, who had taken the innocent freedom of peering in, and listening, through the skylight in the roof, came softly down from the leads, in a state of very dense confusion. Captain Cuttle, however, whose admiration of Bunsby was, if possible, enhanced by the splendid manner in which he had justified his reputation and come through this solemn reference, proceeded to explain that Bunsby meant nothing but confidence; that Bunsby had no misgivings; and that such an opinion as that man had given, coming from such a mind as his, was Hope's own anchor, with good roads to cast it in. Florence endeavoured to believe that the Captain was right; but the Nipper, with her arms tight folded, shook her head in resolute denial, and had no more trust m Bunsby than in Mr Perch himself.

The philosopher seemed to have left Uncle Sol pretty much where he had found him, for he still went roaming about the watery world, compasses in hand, and discovering no rest for them. It was in pursuance of a whisper in his ear from Florence, while the old man was absorbed in this pursuit, that Captain Cuttle laid his heavy hand upon his shoulder.

'What cheer, Sol Gills?' cried the Captain, heartily.

'But so-so, Ned,' returned the Instrument-maker. 'I have been remembering, all this afternoon, that on the very day when my boy entered Dombey's House, and came home late to dinner, sitting just there where you stand, we talked of storm and shipwreck, and I could hardly turn him from the subject'

But meeting the eyes of Florence, which were fixed with earnest scrutiny upon his face, the old man stopped and smiled.

'Stand by, old friend!' cried the Captain. 'Look alive! I tell you what, Sol Gills; arter I've convoyed Heart's-delight safe home,' here the Captain kissed his hook to Florence, 'I'll come back and take you in tow for the rest of this blessed day. You'll come and eat your dinner along with me, Sol, somewheres or another.'

'Not to-day, Ned!' said the old man quickly, and appearing to be unaccountably startled by the proposition. 'Not to-day. I couldn't do it!'

'Why not?' returned the Captain, gazing at him in astonishment.

'I — I have so much to do. I — I mean to think of, and arrange. I couldn't do it, Ned, indeed. I must go out again, and be alone, and turn my mind to many things to-day.'

The Captain looked at the Instrument-maker, and looked at Florence, and again at the Instrument-maker. 'To-morrow, then,' he suggested, at last.

'Yes, yes. To-morrow,' said the old man. 'Think of me to-morrow.

Say to-morrow.'

'I shall come here early, mind, Sol Gills,' stipulated the Captain.

'Yes, yes. The first thing tomorrow morning,' said old Sol; 'and now good-bye, Ned Cuttle, and God bless you!'

Squeezing both the Captain's hands, with uncommon fervour, as he said it, the old man turned to Florence, folded hers in his own, and put them to his lips; then hurried her out to the coach with very singular precipitation. Altogether, he made such an effect on Captain Cuttle that the Captain lingered behind, and instructed Rob to be particularly gentle and attentive to his master until the morning: which injunction he strengthened with the payment of one shilling down, and the promise of another sixpence before noon next day. This kind office performed, Captain Cuttle, who considered himself the natural and lawful body-guard of Florence, mounted the box with a mighty sense of his trust, and escorted her home. At parting, he assured her that he would stand by Sol Gills, close and true; and once again inquired of Susan Nipper, unable to forget her gallant words in reference to Mrs MacStinger, 'Would you, do you think my dear, though?'

When the desolate house had closed upon the two, the Captain's thoughts reverted to the old Instrument-maker, and he felt uncomfortable. Therefore, instead of going home, he walked up and down the street several times, and, eking out his leisure until evening, dined late at a certain angular little tavern in the City, with a public parlour like a wedge, to which glazed hats much resorted. The Captain's principal intention was to pass Sol Gills's, after dark, and look in through the window: which he did, The parlour door stood open, and he could see his old friend writing busily and steadily at the table within, while the little Midshipman, already sheltered from the night dews, watched him from the counter; under which Rob the Grinder made his own bed, preparatory to shutting the shop. Reassured by the tranquillity that reigned within the precincts of the wooden mariner, the Captain headed for Brig Place, resolving to weigh anchor betimes in the morning.

CHAPTER 24

The Study of a Loving Heart

Sir Barnet and Lady Skettles, very good people, resided in a pretty villa at Fulham, on the banks of the Thames; which was one of the most desirable residences in the world when a rowing-match happened to be going past, but had its little inconveniences at other times, among which may be enumerated the occasional appearance of the river in the drawing-room, and the contemporaneous disappearance of the lawn and shrubbery.