Sister Carrie - Драйзер Теодор (читать хорошую книгу txt) 📗

“Here’re three,” he said.

Carrie took it and found that one was Mrs. Bermudez, another Marcus Jenks, a third Percy Weil. She paused only a moment, and then moved toward the door.

“I might as well go right away,” she said, without looking back.

Hurstwood saw her depart with some faint stirrings of shame, which were the expression of a manhood rapidly becoming stultified. He sat a while, and then it became too much. He got up and put on his hat.

“I guess I’ll go out,” he said to himself, and went, strolling nowhere in particular, but feeling somehow that he must go.

Carrie’s first call was upon Mrs. Bermudez, whose address was quite the nearest. It was an old-fashioned residence turned into offices. Mrs. Bermudez’s offices consisted of what formerly had been a back chamber and a hall bedroom, marked “Private.”

As Carrie entered she noticed several persons lounging about—men, who said nothing and did nothing.

While she was waiting to be noticed, the door of the hall bedroom opened and from it issued two very mannish-looking women, very tightly dressed, and wearing white collars and cuffs. After them came a portly lady of about forty-five, light-haired, sharp-eyed, and evidently good-natured. At least she was smiling.

“Now, don’t forget about that,” said one of the mannish women.

“I won’t,” said the portly woman. “Let’s see,” she added, “where are you the first week in February?”

“Pittsburg,” said the woman.

“I’ll write you there.”

“All right,” said the other, and the two passed out.

Instantly the portly lady’s face became exceedingly sober and shrewd. She turned about and fixed on Carrie a very searching eye.

“Well,” she said, “young woman, what can I do for you?”

“Are you Mrs. Bermudez?”

“Yes.”

“Well,” said Carrie, hesitating how to begin, “do you get places for persons upon the stage?”

“Yes.”

“Could you get me one?”

“Have you ever had any experience?”

“A very little,” said Carrie.

“Whom did you play with?”

“Oh, with no one,” said Carrie. “It was just a show gotten—”

“Oh, I see,” said the woman, interrupting her. “No, I don’t know of anything now.”

Carrie’s countenance fell.

“You want to get some New York experience,” concluded the affable Mrs. Bermudez. “We’ll take your name, though.”

Carrie stood looking while the lady retired to her office.

“What is your address?” inquired a young lady behind the counter, taking up the curtailed conversation.

“Mrs. George Wheeler,” said Carrie, moving over to where she was writing. The woman wrote her address in full and then allowed her to depart at her leisure.

She encountered a very similar experience in the office of Mr. Jenks, only he varied it by saying at the close: “If you could play at some local house, or had a programme with your name on it, I might do something.”

In the third place the individual asked:

“What sort of work do you want to do?”

“What do you mean?” said Carrie.

“Well, do you want to get in a comedy or on the vaudeville stage or in the chorus?”

“Oh, I’d like to get a part in a play,” said Carrie.

“Well,” said the man, “it’ll cost you something to do that.”

“How much?” said Carrie, who, ridiculous as it may seem, had not thought of this before.

“Well, that’s for you to say,” he answered shrewdly.

Carrie looked at him curiously. She hardly knew how to continue the inquiry.

“Could you get me a part if I paid?”

“If we didn’t you’d get your money back.”

“Oh,” she said.

The agent saw he was dealing with an inexperienced soul, and continued accordingly.

“You’d want to deposit fifty dollars, anyway. No agent would trouble about you for less than that.”

Carrie saw a light.

“Thank you,” she said. “I’ll think about it.”

She started to go, and then bethought herself.

“How soon would I get a place?” she asked.

“Well, that’s hard to say,” said the man. “You might get one in a week, or it might be a month. You’d get the first thing that we thought you could do.”

“I see,” said Carrie, and then, half-smiling to be agreeable, she walked out.

The agent studied a moment, and then said to himself:

“It’s funny how anxious these women are to get on the stage.”

Carrie found ample food for reflection in the fifty-dollar proposition. “Maybe they’d take my money and not give me anything,” she thought. She had some jewelry—a diamond ring and pin and several other pieces. She could get fifty dollars for those if she went to a pawnbroker.

Hurstwood was home before her. He had not thought she would be so long seeking.

“Well?” he said, not venturing to ask what news.

“I didn’t find out anything to-day,” said Carrie, taking off her gloves. “They all want money to get you a place.”

“How much?” asked Hurstwood.

“Fifty dollars.”

“They don’t want anything, do they?”

“Oh, they’re like everybody else. You can’t tell whether they’d ever get you anything after you did pay them.”

“Well, I wouldn’t put up fifty on that basis,” said Hurstwood, as if he were deciding, money in hand.

“I don’t know,” said Carrie. “I think I’ll try some of the managers.”

Hurstwood heard this, dead to the horror of it. He rocked a little to and fro, and chewed at his finger. It seemed all very natural in such extreme states. He would do better later on.

CHAPTER XXXVIII

IN ELFLAND DISPORTING:

THE GRIM WORLD WITHOUT

WHEN CARRIE RENEWED HER search, as she did the next day, going to the Casino, she found that in the opera chorus, as in other fields, employment is difficult to secure. Girls who can stand in a line and look pretty are as numerous as labourers who can swing a pick. She found there was no discrimination between one and the other of applicants, save as regards a conventional standard of prettiness and form. Their own opinion or knowledge of their ability went for nothing.

“Where shall I find Mr. Gray?” she asked of a sulky doorman at the stage entrance of the Casino.

“You can’t see him now; he’s busy.”

“Do you know when I can see him?”

“Got an appointment with him?”

“No.”

“Well, you’ll have to call at his office.”

“Oh, dear!” exclaimed Carrie. “Where is his office?”

He gave her the number.

She knew there was no need of calling there now. He would not be in. Nothing remained but to employ the intermediate hours in search.

The dismal story of ventures in other places is quickly told. Mr. Daly saw no one save by appointment. Carrie waited an hour in a dingy office, quite in spite of obstacles, to learn this fact of the placid, indifferent Mr. Dorney.^aj

“You will have to write and ask him to see you.”

So she went away.

At the Empire Theatre she found a hive of peculiarly listless and indifferent individuals. Everything ornately upholstered, everything carefully finished, everything remarkably reserved.

At the Lyceum she entered one of those secluded, under-stairway closets, berugged and bepanneled, which causes one to feel the greatness of all positions of authority. Here was reserve itself done into a box-office clerk, a doorman, and an assistant, glorying in their fine positions.

“Ah, be very humble now—very humble indeed. Tell us what it is you require. Tell it quickly, nervously, and without a vestige of self-respect. If no trouble to us in any way, we may see what we can do.”

This was the atmosphere of the Lyceum—the attitude, for that matter, of every managerial office in the city. These little proprietors of businesses are lords indeed on their own ground.

Carrie came away wearily, somewhat more abashed for her pains.

Hurstwood heard the details of the weary and unavailing search that evening.