The Land Of Mist - Doyle Arthur Conan (прочитать книгу TXT) 📗
Then suddenly she saw what she had waited for. She started and hissed out a word. The young man rushed from the room and into the street. He vanished through a side door into the brewery.
Drunken Silas Linden was coming home. He was in a gloomy, sulken state of befuddlement. A sense of injury filled his mind. He had not gained the billet he sought. His injured hand had been against him. He had hung about the bar waiting for drinks and had got some, but not enough. Now he was in a dangerous mood. Woe to the man, woman or child, who crossed his path! He thought savagely of the Jewess who lived in that darkened house. He thought savagely of all his neighbours. They would stand between him and his children, would they? He would show them. The very next morning he would take them both out into the street and strap them within an inch of their lives. That would show them all what Silas Linden thought of their opinions. Why should he not do it now? If he were to waken the neighbours up with the shrieks of his children, it would show them once for all that they could not defy him with impunity. The idea pleased him. He stepped more briskly out. He was almost at his door when . . .
It was never quite clear how it was that the cellar-flap was not securely fastened that night. The jury were inclined to blame the brewery, but the coroner pointed out that Linden was a heavy man, that he might have fallen on it if he were drunk, and that all reasonable care had been taken. It was an eighteen-foot fall upon jagged stones, and his back was broken. They did not find him till next morning, for, curiously enough, his neighbour, the Jewess, never heard the sound of the accident. The doctor seemed to think that death had not come quickly. There were horrible signs that he had lingered. Down in the darkness, vomiting blood and beer, the man ended his filthy life with a filthy death.
One need not waste words or pity over the woman whom he had left. Relieved from her terrible mate, she returned to that music-hall stage from which he, by force of his virility and bull-like strength, had lured her. She tried to regain her place with:
«Hi! Hi! Hi! I'm the dernier cri, The girl with the cart-wheel hat.»
which was the ditty which had won her her name. But it became too painfully evident that she was anything but the dernier cri, and that she could never get back. Slowly she sank from big halls to small halls, from small halls to pubs, and so ever deeper and deeper, sucked into the awful silent quicksands of life which drew her down and down until that vacuous painted face and frowsy head were seen no more.
12. There are Heights and there are Depths
THE Institut Metapsychique was an imposing stone building in the Avenue Wagram with a door like a baronial castle. Here it was that the three friends presented themselves late in the evening. A footman showed them into a reception-room where they were presently welcomed by Dr. Maupuis in person. The famous authority on psychic science was a short, broad man with a large head, a clean-shaven face, and an expression in which worldly wisdom and kindly altruism were blended. His conversation was in French with Mailey and Roxton, who both spoke the language well, but he had to fall back upon broken English with Malone, who could only utter still more broken French in reply. He expressed his pleasure at their visit, as only a graceful Frenchman can, said a few words as to the wonderful qualities of Panbek, the Galician medium, and finally led the way downstairs to the room in which the experiments were to be conducted. His air of vivid intelligence and penetrating sagacity had already shown the strangers how preposterous were those theories which tried to explain away his wonderful results by the supposition that he was a man who was the easy victim of impostors.
Descending a winding stair they found themselves in a large chamber which looked at first glance like a chemical laboratory, for shelves full of bottles, retorts, test-tubes, scales and other apparatus lined the walls. It was more elegantly furnished, however, than a mere workshop, and a large massive oak table occupied the centre of the room with a fringe of comfortable chairs. At one end of the room was a large portrait of Professor Crookes, which was flanked by a second of Lombroso, while between them was a remarkable picture of one of Eusapia Palladino's seances. Round the table there was gathered a group of men who were talking in low tones, too much absorbed in their own conversation to take much notice of the newcomers.
«Three of these are distinguished visitors like yourselves,» said Dr. Maupuis. «Two others are my laboratory assistants, Dr. Sauvage and Dr. Buisson. The others are Parisians of note. The Press is represented to-day by Mr. Forte, sub-editor of the Matin. The tall, dark man who looks like a retired general you probably know…. Not? That is Professor Charles Richet, our honoured doyen, who has shown great courage in this matter, though he has not quite reached the same conclusions as you, Monsieur Mailey. But that also may come. You must remember that we have to show policy, and that the less we mix this with religion, the less trouble we shall have with the Church, which is still very powerful in this country. The distinguished-looking man with the high forehead is the Count de Grammont. The gentleman with the head of a Jupiter and the white beard is Flammarion, the astronomer. Now, gentlemen,» he added, in a louder voice, «if you will take your places we shall get to work.»
They sat at random round the long table, the three Britons keeping together. At one end a large photographic camera was reared aloft. Two zinc buckets also occupied a prominent position upon a side table. The door was locked and the key given to Professor Richet. Dr. Maupuis sat at one end of the table with a small middle-aged man, moustached, bald-headed and intelligent, upon his right.
«Some of you have not met Monsieur Panbek,» said the doctor. «Permit me to present him to you. Monsieur Panbek, gentlemen, has placed his remarkable powers at our disposal for scientific investigation, and we all owe him a debt of gratitude. He is now in his forty-seventh year, a man of normal health, of a neuro-arthritic disposition. Some hyper-excitability of his nervous system is indicated, and his reflexes arc exaggerated, but his blood-pressure is normal. The pulse is now at seventy-two, but rises to one hundred under trance conditions. There are zones of marked hyper-aesthesia on his limbs. His visual field and pupillary reaction is normal. I do not know that there is anything to add.»
«I might say,» remarked Professor Richet, «that the hyper-sensibility is moral as well as physical. Panbek is impressionable and full of emotion, with the temperament of the poet and all those little weaknesses, if we may call them so, which the poet pays as a ransom for his gifts. A great medium is a great artist and is to be judged by the same standards.»
«He seems to me, gentlemen, to be preparing you for the worst,» said the medium with a charming smile, while the company laughed in sympathy.
«We are sitting in the hopes that some remarkable materializations which we have recently had may be renewed in such a form that we may get a permanent record of them.» Dr. Maupuis was talking in his dry, unemotional voice. «These materializations have taken very unexpected forms of late, and I would beg the company to repress any feelings of fear, however strange these forms may be, as a calm and judicial atmosphere is most necessary. We shall now turn out the white light and begin with the lowest degree of red light until the conditions will admit of further illumination.»
The lamps were controlled from Dr. Maupuis' seat at the table. For a moment they were plunged in utter darkness. Then a dull red glow came in the corner, enough to show the dim outlines of the men round the table. There was no music and no religious atmosphere of any sort. The company conversed in whispers.
