Dombey and Son - Dickens Charles (е книги .txt) 📗

'Now those that choose, can go about their business,' says Mrs Pipchin, 'and those that choose can stay here on board wages for a week or so, and make themselves useful. Except,' says the inflammable Pipchin, 'that slut of a cook, who'll go immediately.'

'That,' says Cook, 'she certainly will! I wish you good day, Mrs Pipchin, and sincerely wish I could compliment you on the sweetness of your appearance!'

'Get along with you,' says Mrs Pipchin, stamping her foot.

Cook sails off with an air of beneficent dignity, highly exasperating to Mrs Pipchin, and is shortly joined below stairs by the rest of the confederation.

Mr Towlinson then says that, in the first place, he would beg to propose a little snack of something to eat; and over that snack would desire to offer a suggestion which he thinks will meet the position in which they find themselves. The refreshment being produced, and very heartily partaken of, Mr Towlinson's suggestion is, in effect, that Cook is going, and that if we are not true to ourselves, nobody will be true to us. That they have lived in that house a long time, and exerted themselves very much to be sociable together. (At this, Cook says, with emotion, 'Hear, hear!' and Mrs Perch, who is there again, and full to the throat, sheds tears.) And that he thinks, at the present time, the feeling ought to be 'Go one, go all!' The housemaid is much affected by this generous sentiment, and warmly seconds it.

Cook says she feels it's right, and only hopes it's not done as a compliment to her, but from a sense of duty. Mr Towlinson replies, from a sense of duty; and that now he is driven to express his opinions, he will openly say, that he does not think it over-respectable to remain in a house where Sales and such-like are carrying forwards. The housemaid is sure of it; and relates, in confirmation, that a strange man, in a carpet cap, offered, this very morning, to kiss her on the stairs. Hereupon, Mr Towlinson is starting from his chair, to seek and 'smash' the offender; when he is laid hold on by the ladies, who beseech him to calm himself, and to reflect that it is easier and wiser to leave the scene of such indecencies at once.

Mrs Perch, presenting the case in a new light, even shows that delicacy towards Mr Dombey, shut up in his own rooms, imperatively demands precipitate retreat. 'For what,' says the good woman, 'must his feelings be, if he was to come upon any of the poor servants that he once deceived into thinking him immensely rich!' Cook is so struck by this moral consideration, that Mrs Perch improves it with several pious axioms, original and selected. It becomes a clear case that they must all go. Boxes are packed, cabs fetched, and at dusk that evening there is not one member of the party left.

The house stands, large and weather-proof, in the long dull street; but it is a ruin, and the rats fly from it.

The men in the carpet caps go on tumbling the furniture about; and the gentlemen with the pens and ink make out inventories of it, and sit upon pieces of furniture never made to be sat upon, and eat bread and cheese from the public-house on other pieces of furniture never made to be eaten on, and seem to have a delight in appropriating precious articles to strange uses. Chaotic combinations of furniture also take place. Mattresses and bedding appear in the dining-room; the glass and china get into the conservatory; the great dinner service is set out in heaps on the long divan in the large drawing-room; and the stair-wires, made into fasces, decorate the marble chimneypieces.

Finally, a rug, with a printed bill upon it, is hung out from the balcony; and a similar appendage graces either side of the hall door.

Then, all day long, there is a retinue of mouldy gigs and chaise-carts in the street; and herds of shabby vampires, Jew and Christian, over-run the house, sounding the plate-glass minors with their knuckles, striking discordant octaves on the Grand Piano, drawing wet forefingers over the pictures, breathing on the blades of the best dinner-knives, punching the squabs of chairs and sofas with their dirty fists, touzling the feather beds, opening and shutting all the drawers, balancing the silver spoons and forks, looking into the very threads of the drapery and linen, and disparaging everything.

There is not a secret place in the whole house. Fluffy and snuffy strangers stare into the kitchen-range as curiously as into the attic clothes-press. Stout men with napless hats on, look out of the bedroom windows, and cut jokes with friends in the street. Quiet, calculating spirits withdraw into the dressing-rooms with catalogues, and make marginal notes thereon, with stumps of pencils. Two brokers invade the very fire-escape, and take a panoramic survey of the neighbourhood from the top of the house. The swarm and buzz, and going up and down, endure for days. The Capital Modern Household Furniture, amp;c., is on view.

Then there is a palisade of tables made in the best drawing-room; and on the capital, french-polished, extending, telescopic range of Spanish mahogany dining-tables with turned legs, the pulpit of the Auctioneer is erected; and the herds of shabby vampires, Jew and Christian, the strangers fluffy and snuffy, and the stout men with the napless hats, congregate about it and sit upon everything within reach, mantel-pieces included, and begin to bid. Hot, humming, and dusty are the rooms all day; and — high above the heat, hum, and dust — the head and shoulders, voice and hammer, of the Auctioneer, are ever at work. The men in the carpet caps get flustered and vicious with tumbling the Lots about, and still the Lots are going, going, gone; still coming on. Sometimes there is joking and a general roar.

This lasts all day and three days following. The Capital Modern Household Furniture, amp;c., is on sale.

Then the mouldy gigs and chaise-carts reappear; and with them come spring-vans and waggons, and an army of porters with knots. All day long, the men with carpet caps are screwing at screw-drivers and bed-winches, or staggering by the dozen together on the staircase under heavy burdens, or upheaving perfect rocks of Spanish mahogany, best rose-wood, or plate-glass, into the gigs and chaise-carts, vans and waggons. All sorts of vehicles of burden are in attendance, from a tilted waggon to a wheelbarrow. Poor Paul's little bedstead is carried off in a donkey-tandem. For nearly a whole week, the Capital Modern Household Furniture, amp; c., is in course of removal.

At last it is all gone. Nothing is left about the house but scattered leaves of catalogues, littered scraps of straw and hay, and a battery of pewter pots behind the hall-door. The men with the carpet-caps gather up their screw-drivers and bed-winches into bags, shoulder them, and walk off. One of the pen-and-ink gentlemen goes over the house as a last attention; sticking up bills in the windows respecting the lease of this desirable family mansion, and shutting the shutters. At length he follows the men with the carpet caps. None of the invaders remain. The house is a ruin, and the rats fly from it.

Mrs Pipchin's apartments, together with those locked rooms on the ground-floor where the window-blinds are drawn down close, have been spared the general devastation. Mrs Pipchin has remained austere and stony during the proceedings, in her own room; or has occasionally looked in at the sale to see what the goods are fetching, and to bid for one particular easy chair. Mrs Pipchin has been the highest bidder for the easy chair, and sits upon her property when Mrs Chick comes to see her.

'How is my brother, Mrs Pipchin?' says Mrs Chick.

'I don't know any more than the deuce,' says Mrs Pipchin. 'He never does me the honour to speak to me. He has his meat and drink put in the next room to his own; and what he takes, he comes out and takes when there's nobody there. It's no use asking me. I know no more about him than the man in the south who burnt his mouth by eating cold plum porridge."