The Penultimate Peril - Snicket Lemony (бесплатные онлайн книги читаем полные версии .TXT) 📗
"It's not false!" Justice Strauss exclaimed. "There really is a fire, Mr. Poe! Leave this hotel!"
"I can't leave," Mr. Poe replied, coughing into his handkerchief. "I'm still in charge of the Baudelaires' affairs, and their parents' fort-"
The elevator doors closed before Mr. Poe could finish his word, and the Baudelaires were taken away from the banker one last time, and with each stop of the elevator, I'm sorry to say, it was more or less the same. The Baudelaires saw Mrs. Bass on the third story, still wearing her small blond wig like a snowcap on the top of a mountain peak, and her blindfold, stretched over her small, narrow mask, and they saw Mr. Remora, who was wandering around the seventh story with Vice Principal Nero. They saw Geraldine Julienne, who was using her microphone the way some blind people use a cane, and they saw Charles and Sir, who were holding hands so as not to lose one another, and they saw Hugo and Colette and Kevin, who were holding the birdpaper Klaus had hung outside the window of the sauna, and they saw Mr. Lesko arguing with Mrs. Morrow, and they saw a man with a guitar making friends with a woman in a crow-shaped hat, and they saw many people they did not recognize, either as volunteers or as villains, who were wandering the hallways of the hotel to capture anyone they might find suspicious. Some of these people believed the Baudelaires when they told them the news of the fire, and some of these people believed Count Olaf when he told them that the Baudelaires were lying, and some of these people believed Justice Strauss when she told them that Count Olaf was lying when he said the Baudelaires were lying when they told them the news of the fire. But the elevator's stop on each story of the hotel was very brief, and the children had only a glimpse of each of these people. They heard Mrs. Bass mutter something about a getaway car, and they heard Mr. Remora wonder something about fried bananas. They heard Nero worry about his violin case, and Geraldine squeal about headlines, and they heard Charles and Sir bicker over whether or not fires were good for the lumber industry. They heard Hugo ask if the plan for the hors d'ouvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries. They did not know who would survive the fire they had helped set, and who would perish. They did not know who thought they were volunteers and who thought they were villains, or who believed they were innocent and who believed they were guilty. And they did not know if their own observations, errands, and deeds meant that they were noble, or wicked, or somewhere in between. As they stepped out of the elevator and walked across the rooftop sunbathing salon, the Baudelaire orphans felt as if their entire lives were like a book, filled with crucial information, that had been set aflame, like the comprehensive history of injustice that was now just ashes in a fire growing more enormous by the second.
"Look!" cried Count Olaf, leaning over the edge of the hotel and pointing down. The Baudelaires looked, expecting to see the enormous, calm surface of the pond reflecting the Hotel Denouement back at them like an enormous mirror. But the air was stained with patches of thick, black smoke that poured out of the basement windows as the fire began to spread, and the surface of the pond looked like a series of tiny mirrors, each broken into strange, unfathomable shapes. Here and there, among the smoke and mirrors, the children could see the tiny figures running this way and that, but could not tell if they were the authorities on the ground, or people in the hotel running to escape from the blaze.
Olaf continued to gaze downward, and the Baudelaires could not tell if he looked pleased or disappointed. "Thanks to you orphans," he said, "it's too late to destroy everyone with the Medusoid Mycelium, but at least we got to start a fire."
Justice Strauss was still gazing at the smoke pouring from the windows and rising into the sky, and her expression was equally unfathomable. "Thanks to you orphans," she said quietly to the Baudelaires, "this hotel will be destroyed by fire, but at least we stopped Olaf from releasing the fungus."
"The fire isn't burning very quickly," Olaf said. "Many people will escape."
"The fire isn't burning slowly, either," Justice Strauss said. "Some people won't."
The Baudelaire orphans looked at one another, but before anyone could say anything further, the entire building trembled, and the children had to struggle to keep their balance on the tilted roof. The shiny sunbathing mats tumbled across the salon, and the water in the swimming pool splashed against the side of the large, wooden boat, dampening the figurehead of the octopus attacking a man in a diving suit.
"The fire is weakening the structural foundations of the building," Violet said.
"We have to get out of here," Klaus said.
"Pronto," Sunny said.
Without another word the Baudelaires turned from the adults and strode quickly toward the boat. Shifting the pile of sheets into one hand, Violet took off her concierge hat, reached into her pocket, and found the ribbon Kit Snicket had given her, which she used to tie up her hair. Klaus reached into his pocket and found his commonplace book, which he began to flip through. Sunny did not reach into her pocket, but she scraped her sharp teeth together thoughtfully, as she suspected they might be needed.
Violet stared critically at the boat. "I'll attach the drag chute to the figurehead," she said. "I should be able to tie a Devil's Tongue knot around the helmet of the diver." She paused for a moment. "That's where the Medusoid Mycelium is hidden," she said. "Count Olaf kept it there, where no one would think of looking."
