Power of the Sword - Smith Wilbur (читать книги онлайн регистрации .TXT) 📗
Now, the Van Gogh in the front salon is another matter, he told her as he launched into the smoked kippers with more enthusiasm than he had shown for anything since his arrival. With his mouth full he read from his notebook.
Green and violet wheatfield; furrows lead the eye to golden haloes around the huge orb of the rising sun high in the picture. He closed the book. There is quite a vogue for Van Gogh in America, even in this soft market. Can't tell whether it will last, of course, can't stand him myself, but I will have the picture photographed and send copies to a dozen of our most important clients in the United States. I think we can bank on four to five thousand pounds. Shasa had laid down his knife and fork and was staring from Davenport to his mother with a puzzled and troubled expression.
I think we should talk about this later, Mr Davenport, Centaine intervened hurriedly. I have set aside the rest of the day for you. But let us enjoy our breakfast now., The rest of the meal passed in silence, but when Shasa pushed his plate away, half finished, Centaine rose with him. Where are you going, cheri? The stables. The blacksmith is reshoeing two of my ponies. I'll walk down with you. They took the path along the bottom wall of the Huguenot vineyard, where Centaine's best wine grapes were grown, and around the back of the old slave quarters. Both of them were silent, Shasa waiting for her to speak, and Centaine trying to find the words to tell him. Of course, there was no gentle way of saying it and she had delayed too long already.
Her procrastination had only made it more difficult for her now.
At the gate of the stable yard she took his arm and turned him into the plantation. That man, she began, and then broke off and started again. Sotheby's is the foremost firm of auctioneers in the world. They specialize in works of art. I know, he smiled condescendingly. I'm not a complete ignoramus, Mater. She drew him down onto the oak bench that stood at the edge of the spring. Sweet crystal water burbled out of a tiny rocky grotto and splashed down amongst ferns and green moss-covered boulders into the brick-lined pool at their feet.
The trout in the pool, as long and as thick as Shasa's forearm, came nosing up to their feet, swirling hopefully for their feed.
Shasa, cheri. He has come here to sell Weltevreden for us. She said it clearly and loudly, and immediately the enormity of it came down upon her with the brutal force of a falling oak tree, and she sat numb and broken beside him, feeling herself shrinking and shrivelling, giving in at last to despair.
You mean the paintings? Shasa asked carefully.
Not just the paintings, the furniture, the carpets and the silver. She had to stop to draw breath and control the trembring of her lips. The chateau, the estate, your ponies, everything. He was staring at her, unable to comprehend it. He had lived at Weltevreden since he was four years old, as far back as he could remember.
Shasa, we have lost it all. I have tried since the robbery to hold it together. I was not able to do it. It's gone, Shasa.
We are selling Weltevreden to pay off our debts. There will be nothing left after that. Her voice was cracking again, and she touched her lips to still them before she went on. We aren't rich any more, Shasa. It's all gone. We are ruined, completely ruined. She stared at him, waiting for him to revile her, waiting for him to break as she was about to break, but instead he reached for her and after a moment the stiffness went out of her shoulders and she sagged against him and clung to him for comfort.
We are poor, Shasa, and she sensed him struggling to take it all in, trying to find words to express his confused feelings.
You know, Mater, he said at last, I know some poor people. Some of the boys at school, their parents are pretty hard-up, and they don't seem to mind too much. Most of them are jolly good chaps. It might not be too bad, once we get used to being poor., I'll never get used to it, she whispered fiercely. I will hate it, every moment of it.
And so will I, he said as fiercely. If only I were old enough, if only I could help you., She left Shasa at the blacksmith's shop and returned slowly, stopping often to chat with her coloured folk, the women coming to the stable doors of the cottages with their babies on their hips to greet her, the men straightening up from their labours, grinning with pleasure for they had become her family; to part with them would be more painful even than giving up her carefully accumulated treasures. At the corner of the vineyard she climbed over the stone wall and wandered between the rows of lovingly pruned vines on which the bunches of new grapes already hung weightily, green and hard as musket balls, floury with bloom, and she reached up and took them in her cupped hands as though it was a gesture of farewell and found that she was weeping.
She had been able to contain her tears while she had been with Shasa, but now she was alone, her grief and desolation overwhelmed her and she stood amongst her vines and wept.
Despair drained her and eroded her resolve. She had worked so hard, had been alone so long, and now in ultimate failure she was tired, so tired that her bones ached and she knew that she did not have the strength to start all over again. She knew she was beaten and that from now on her LIFE would be a sad and sorry thing, a grinding daily struggle to maintain her pride while she was reduced to the position of a mendicant. For dearly as she loved Garry Courtney, it would be his charity on which she must rely from now on and her whole being quailed at the prospect. For the very first time in her life she could find neither the will nor the courage to go on.
It would be so good to lie down and close her eyes; a strong desire came upon her, the longing for peace and silence.
I wish it was all over. That there was nothing, no more striving and worrying and hoping. The longing for peace became irresistible, filled her soul, obsessed her so that as she left the vineyard and entered the lane she quickened her step. It will be like sleeping, sleeping with no dreams. She saw herself lying on a satin pillow, eyes closed, tranquil and calm.
She was still in breeches and riding-boots, so she could lengthen her stride. As she crossed the lawns she was running, and she flung open the french doors to her study and, panting wildly, ran to her desk and tore open the drawer.
The pistols had been a gift from Sir Garry. They were in a fitted case of royal blue pigskin with her name engraved on a brass plaque on the lid. They were a matched pair, hand-made by Beretta of Italy for a lady, engraved with exquisite gold inlay and the mother-of-pearl butts were set with small diamonds from the H'ani Mine.
She selected one of the weapons and broke it open. The magazine was loaded, and she snapped it closed and cocked the slide. Her hands were steady and her breathing had eased.
She felt very calm and detached as she lifted the pistol, placed the muzzle to her temple and took up the slack in the trigger with her forefinger.
She seemed to be standing outside herself, looking on almost without emotion other than a faint remorse at the waste and a gentle sense of pity for herself.
Poor Centaine, she thought. What an awful way for it all to end. And she looked across the room at the gilt-framed mirror. There were tall vases set on each side of the glass filled with fresh long-stemmed yellow roses from the gardens, so that her image was framed within blooms as though she were laid out in her coffin and her face was pale as death.
I look like a corpse. She said it aloud, and at the words her longing for oblivion changed instantly to a sickening self-disgust. She lowered the pistol and stared at her image in the mirror, and saw the hot coals of anger begin to burn in her cheeks.
