Divergent - Roth Veronica (полная версия книги txt) 📗

“I can’t stay here while you go up there and risk your life,” says Caleb.

“I need you to,” I say.

Peter sinks to his knees. His face glistens with sweat. For a second I almost feel bad for him, but then I remember Edward, and the itch of fabric over my eyes as my attackers blindfolded me, and my sympathy is lost to hatred. Caleb eventually nods.

I approach one of the fallen guards and take his gun, keeping my eyes away from the injury that killed him. My head pounds. I haven’t eaten; I haven’t slept; I haven’t sobbed or screamed or even paused for a moment. I bite my lip and push myself toward the elevators on the right side of the room. Level eight.

Once the elevator doors close, I lean the side of my head against the glass and listen to the beeps.

I glance at my father.

“Thank you. For protecting Caleb,” my father says. “Beatrice, I—”

The elevator reaches the eighth floor and the doors open. Two guards stand ready with guns in hand, their faces blank. My eyes widen, and I drop to my belly on the ground as the shots go off. I hear bullets strike glass. The guards slump to the ground, one alive and groaning, the other fading fast. My father stands above them, his gun still held out from his body.

I stumble to my feet. Guards run down the hallway on the left. Judging by the synchronicity of their footsteps, they are controlled by the simulation. I could run down the right hallway, but if the guards came from the left hallway, that’s where the computers are. I drop to the ground between the guards my father just shot and lie as still as I can.

My father jumps out of the elevator and sprints down the right hallway, drawing the Dauntless guards after him. I clap my hand over my mouth to keep from screaming at him. That hallway will end.

I try to bury my head so I don’t see it, but I can’t. I peer over the fallen guard’s back. My father fires over his shoulder at the guards pursuing him, but he is not fast enough. One of them fires at his stomach, and he groans so loud I can almost feel it in my chest.

He clutches his gut, his shoulders hitting the wall, and fires again. And again. The guards are under the simulation; they keep moving even when the bullets hit them, keep moving until their hearts stop, but they don’t reach my father. Blood spills over his hand and the color drains from his face. Another shot and the last guard is down.

“Dad,” I say. I mean for it to be a shout, but it is just a wheeze.

He slumps to the ground. Our eyes meet like the yards between us are nothing.

His mouth opens like he’s about to say something, but then his chin drops to his chest and his body relaxes.

My eyes burn and I am too weak to rise; the scent of sweat and blood makes me feel sick. I want to rest my head on the ground and let that be the end of it. I want to sleep now and never wake.

But what I said to my father before was right — for every second that I waste, another Abnegation member dies. There is only one thing left for me in the world now, and it is to destroy the simulation.

I push myself up and run down the hallway, turning right at the end. There is only one door ahead. I open it.

The opposite wall is made up entirely of screens, each a foot tall and a foot wide. There are dozens of them, each one showing a different part of the city. The fence. The Hub. The streets in the Abnegation sector, now crawling with Dauntless soldiers. The ground level of the building below us, where Caleb, Marcus, and Peter wait for me to return. It is a wall of everything I have ever seen, everything I have ever known.

One of the screens has a line of code on it instead of an image. It breezes past faster than I can read. It is the simulation, the code already compiled, a complicated list of commands that anticipate and address a thousand different outcomes.

In front of the screen is a chair and a desk. Sitting in the chair is a Dauntless soldier.

“Tobias,” I say.

CHAPTER THIRTY-EIGHT

TOBIAS’S HEAD TURNS, and his dark eyes shift to me. His eyebrows draw in. He stands. He looks confused. He raises his gun.

“Drop your weapon,” he says.

“Tobias,” I say, “you’re in a simulation.”

“Drop your weapon,” he repeats. “Or I’ll fire.”

Jeanine said he didn’t know me. Jeanine also said that the simulation made Tobias’s friends into enemies. He will shoot me if he has to.

I set my gun down at my feet.

“Drop your weapon!” shouts Tobias.

“I did,” I say. A little voice in my head sings that he can’t hear me, he can’t see me, he doesn’t know me. Tongues of flame press behind my eyes. I can’t just stand here and let him shoot me.

I run at him, grabbing his wrist. I feel his muscles shift as he pinches the trigger and duck my head just in time. The bullet hits the wall behind me. Gasping, I kick him in the ribs and twist his wrist to the side as hard as I can. He drops the gun.

I can’t beat Tobias in a fight. I know that already. But I have to destroy the computer. I dive for the gun, but before I can touch it, he grabs me and wrenches me to the side.

I stare into his dark, conflicted eyes for an instant before he punches me in the jaw. My head jerks to the side and I cringe away from him, flinging my hands up to protect my face. I can’t fall; I can’t fall or he’ll kick me, and that will be worse, that will be much worse. I kick the gun back with my heel so he can’t grab it and, ignoring the throbbing in my jaw, kick him in the stomach.

He catches my foot and pulls me down so I fall on my shoulder. The pain makes my vision go black at the edges. I stare up at him. He pulls his foot back like he’s about to kick me, and I roll onto my knees, stretching my arm out for the gun. I don’t know what I’ll do with it. I can’t shoot him, I can’t shoot him, I can’t. He is in there somewhere.

He grabs me by my hair and yanks me to the side. I reach back and grab his wrist, but he’s too strong and my forehead smacks into the wall.

He is in there somewhere.

“Tobias,” I say.

Did his grip falter? I twist and kick back, my heel hitting him in the leg. When my hair slips through his fingers, I dive at the gun and my fingertips close around the cool metal. I flip over onto my back and point the gun at him.

“Tobias,” I say. “I know you’re in there somewhere.”

But if he was, he probably wouldn’t start toward me like he’s about to kill me for certain this time.

My head throbs. I stand.

“Tobias, please.” I am begging. I am pathetic. Tears make my face hot. “Please. See me.” He walks toward me, his movements dangerous, fast, powerful. The gun shakes in my hands. “Please see me, Tobias, please!”

Even when he scowls, his eyes look thoughtful, and I remember how his mouth curled when he smiled.

I can’t kill him. I am not sure if I love him; not sure if that’s why. But I am sure of what he would do if our positions were reversed. I am sure that nothing is worth killing him for.

I have done this before — in my fear landscape, with the gun in my hand, a voice shouting at me to fire at the people I love. I volunteered to die instead, that time, but I can’t imagine how that would help me now. But I just know, I knowwhat the right thing to do is.

My father says — used to say — that there is power in self-sacrifice.

I turn the gun in my hands and press it into Tobias’s palm.

He pushes the barrel into my forehead. My tears have stopped and the air feels cold as it touches my cheeks. I reach out and rest my hand on his chest so I can feel his heartbeat. At least his heartbeat is still him.

The bullet clicks into the chamber. Maybe it will be as easy to let him shoot me as it was in the fear landscape, as it is in my dreams. Maybe it will just be a bang, and the lights will lift, and I will find myself in another world. I stand still and wait.