The Terminal Man - Crichton Michael (хороший книги онлайн бесплатно .txt) 📗

"You want me to be a good machine. You want me to obey my masters, to follow instructions. Isn't that what you want?"

"You're not a machine, Harry."

"And I never will be." His smile faded. "Never. Ever."

She took a deep breath. "Harry," she said, "I want you to come back to the hospital."

"No."

"We can make you feel better."

"No."

"We care about you, Harry."

"You care about me." He laughed, a nasty hard sound. "You don't care about me. You care about your experimental preparation. You care about your scientific protocol. You care about your follow-up. You don't care about me."

He was becoming excited and angry. "It won't look so good in the medical journals if you have to report so many patients observed for so many years, and one died because he went nuts and the cops killed him. That will reflect badly."

"Harry- "

"I know," Benson said. He held out his hands. "I was sick an hour ago. Then, when I woke up, I saw blood under my fingernails. Blood. I know." He stared at his hands, curling them to look at the nails. Then he touched his bandages. "The operation was supposed to work," he said. "But it isn't working."

And then, quite abruptly, he began to cry. His face was bland, but the tears rolled down his cheeks. "It isn't working," he said. "I don't understand, it isn't working… ."

Equally abruptly, he smiled. Another stimulation. This one had come less than a minute after the one previously. She knew that he'd tip over in the next few seconds.

"I don't want to hurt anyone," he said, smiling cheerfully.

She felt sympathy for him, and sadness for what had happened. "I understand," she said. "Let's go back to the hospital."

"No, no…"

"I'll go with you. I'll stay with you all the time. It will be all right."

"Don't argue with me!" He snapped to his feet, fists clenched, and glared down at her. "I will not listen- " He broke off, but did not smile.

Instead, he began to sniff the air.

"What is that smell?" he said. "I hate that smell. What is it? I hate it, do you hear me, I hate it!"

He moved toward her, sniffing. He reached his hands out toward her.

"Harry…"

"I hate this feeling," he said.

She got up off the couch, moving away. He followed her clumsily, his hands still outstretched. "I don't want this feeling, I don't want it," he said. He was no longer sniffing. He was fully in a trance state, coming toward her.

"Harry…"

His face was blank, an automaton mask. His arms were still extended toward her. He almost seemed to be sleep-walking as he advanced on her. His movements were slow and she was able to back away from him, maintaining distance.

Then, suddenly, he picked up a heavy glass ashtray and flung it at her. She dodged; it struck one of the large windows, shattering the glass.

He leaped for her and threw his arms around her, holding her in a clumsy bear hug. He squeezed her with incredible strength. "Harry," she gasped, "Harry." She looked up at his face and saw it was still blank.

She kneed him in the groin.

He grunted and released her, bending at the waist, coughing. She moved away from him and picked up the phone. She dialed the operator. Benson was still bent over, still coughing.

"Operator."

"Operator, give me the police."

"Do you want the Beverly Hills police, or the Los Angeles police?"

"I don't care!"

"Well, which do you- "

She dropped the phone. Benson was stalking her again. She heard the tiny voice of the operator saying, "Hello, hello. .."

Benson tore the phone away and flung it behind him across the room. He picked up a floor lamp and held it base outward. He began to swing it in large hissing arcs. She ducked it once and felt the gush of air in the wake of the heavy metal base. If it hit her, it would kill her. It would kill her. The realization pushed her to action.

She ran to the kitchen. Benson dropped the lamp and followed her. She tore open drawers, looking for a knife. She found only a small paring knife. Where the hell were her big knives?

Benson was in the kitchen. She threw a pot at him blindly. It clattered against his knees. He moved forward.

The detached and academic part of her mind was still operating, telling her that she was making a big mistake, that there was something in the kitchen she could use. But what?

Benson's hands closed around her neck. The grip was terrifying. She grabbed his wrists and tried to pull them away. She kicked up with her leg, but he twisted his body away from her, then pressed her back against the counter, pinning her down.

She could not move, she could not breathe. She began to see blue spots dancing before her eyes. Her lungs burned for air.

Her fingers scratched along the counter, feeling for something, anything, to strike him with. She touched nothing.

The kitchen…

She flung her hands around wildly. She felt the handle of the dishwasher, the handle to the oven, the machines in her kitchen.

Her vision was greenish. The blue spots were larger. They swam sickeningly before her. She was going to die in the kitchen.

The kitchen, the kitchen, dangers of the kitchen. It came to her in a flash, just as she was losing consciousness.

Microwaves.

She no longer had any vision; the world was dull gray, but she could still feel. Her fingers touched the metal of the oven, the glass of the oven door, then up… up to the controls… she twisted the dial…

Benson screamed.

The pressure around her neck was gone. She slumped to the floor. Benson was screaming, horrible agonized sounds. Her vision came back to her slowly and she saw him, standing over her, clutching his head in his hands. Screaming.

He paid no attention to her as she lay on the floor, gasping for breath. He twisted and writhed, holding his head and howling like a wounded animal. Then he rushed from the room, still screaming.

And she slid smoothly and easily into unconsciousness.

The bruises were already forming - long, purplish welts on both sides of her neck. She touched them gently as she looked into the mirror.

"When did he leave?" Anders said. He stood in the doorway to the bathroom, watching her.

"I don't know. Around the time I passed out."

He looked back toward the living room. "Quite a mess out there."

"I imagine so."

"Why did he attack you?"

"He had a seizure."

"But you're his doctor-

"That doesn't matter," she said. "When he has a seizure, he's out of control. Totally. He'd kill his own child during a seizure. People have been known to do that."

Anders frowned uncertainly. She could imagine the trouble he was having with the idea. Unless you had seen a psychomotor seizure, you could not comprehend the unreasonable, brutal violence of an attack. It was completely beyond any normal life experience. Nothing else was like it, analogous to it, similar to it.

"Umm," Anders said finally. "But he didn't kill you."

Not quite, she thought, still touching the bruises. The bruises would get much worse in the next few hours. What could she do about it? Make-up? She didn't have any. A high-necked sweater?

"No," she said, "he didn't kill me. But he would have."

"What happened?"

"I turned on the oven."

Anders looked puzzled. "Is that a cure for epilepsy?"

"Hardly. But it affected Benson's electronic machinery. I have a microwave oven. Microwave radiation screws up pacemaking machinery. It's a big problem for cardiac pacemakers now. Dangers of the kitchen. There have been a lot of recent articles."

"Oh," Anders said.

He left the room to make some calls, while she dressed.

She chose a black turtleneck sweater and a gray skirt, and stepped back to look at herself in the mirror. The bruises were hidden. Then she noticed the colors, black and gray. That wasn't like her. Too somber, too dead and cold. She considered changing, but didn't.

She heard Anders talking on the phone in the living room.

She went out to the kitchen to make herself a drink - no more coffee; she wanted Scotch on the rocks - and as she poured it, she saw the long scratches in the wooden counter that her fingernails had left. She looked at her fingernails. Three of them were broken; she hadn't noticed before.

She made the drink and went out to sit in the living room.

"Yes," Anders was saying into the phone. "Yes, I understand. No… no idea. Well, we're trying." There was a long pause.

She went to the broken window and looked out at the city. The sun was up, lighting a dark band of brown air that hung above the buildings. It was really a lethal place to live, she thought. She should move to the beach where the air was better.

"Well, listen," Anders said angrily, "none of this would have happened if you'd kept that fucking guard at his door in the hospital. I think you better keep that in mind."

She heard the phone slam down, and turned.

"Shit," he said. "Politics."

"Even in the police department?"

"Especially in the police department," he said. "Anything goes wrong, and suddenly there's a scramble to see who can get stuck with it."

"They're trying to stick you?"

"They're trying me on for size."

She nodded, and wondered what was happening back at the hospital. Probably the same thing. The hospital had to maintain its image in the community; the chiefs of service would be in a sweat; the director would be worrying about fund-raising. Somebody at the hospital would get stuck. McPherson was too big; she and Morris were too small. It would probably be Ellis - he was an assistant professor. If you fired an assistant professor it had connotations of firing a temporary appointment who had proven himself too aggressive, too reckless, too ambitious. Much better than firing a full professor, which was very messy and reflected badly on the earlier decision that had given him tenure.

It would probably be Ellis. She wondered if he knew. He had just recently bought a new house in Brentwood. He was very proud of it; he had invited everyone in the NPS to a housewarming party next week. She stared out the window, through the shattered glass.