The Dain Curse - Hammett Dashiell (лучшие книги TXT) 📗

Collinson mumbled something or other and introduced me to the woman, calling her Mrs. Haldorn. She gave me a warm, firm hand and then crossed the room to raise a blind, letting in a fat rectangle of afternoon sun. While I blinked at her in the sudden brightness, she sat down and motioned us into chairs.

I saw her eyes first. They were enormous, almost black, warm, and heavily fringed with almost black lashes. They were the only live, human, real things in her face. There was warmth and there was beauty in her oval, olive-skinned face, but, except for the eyes, it was warmth and beauty that didn't seem to have anything to do with reality. It was as if her face were not a face, but a mask that she had worn until it had almost become a face. Even her mouth, which was a mouth to talk about, looked not so much like flesh as like a too perfect imitation of flesh, softer and redder and maybe warmer than genuine flesh, but not genuine flesh. Above this face, or mask, uncut black hair was tied close to her head, parted in the middle, and drawn across temples and upper ears to end in a knot on the nape of her neck. Her neck was long, strong, slender; her body tall, fully fleshed, supple; her clothes dark and silky, part of her body.

I said: "We want to see Miss Leggett, Mrs. Haldorn."

She asked curiously: "Why do you think she is here?"

"That doesn't make any difference, does it?" I replied quickly, before Collinson could say something wrong. "She is. We'd like to see her."

"I don't think you can," she said slowly. "She isn't well, and she came here to rest, particularly to get away from people for a while."

"Sorry," I said, "but it's a case of have to. We wouldn't have come like this if it hadn't been important."

"It is important?"

"Yeah."

She hesitated, said: "Well, I'll see," excused herself, and left us.

"I wouldn't mind moving in here myself," I told Collinson.

He didn't know what I was talking about. His face was flushed and excited.

"Gabrielle may not like our coming here like this," he said.

I said that would be too bad.

Aaronia Haldorn returned to us.

"I'm really very sorry," she said, standing in the doorway, smiling politely, "but Miss Leggett doesn't wish to see you."

"I'm sorry she doesn't," I said, "but we'll have to see her."

She drew herself up straight and her smile went away.

"I beg your pardon?" she said.

"We'll have to see her," I repeated, keeping my voice amiable. "It's important, as I told you."

"I am sorry." Even the iciness she got into her voice didn't keep it from being beautiful. "You cannot see her."

I said: "Miss Leggett's an important witness, as you probably know, in a robbery and murder job. Well, we've got to see her. If it suits you better, I'm willing to wait half an hour till we can get a policeman up here with whatever authority you make necessary. We're going to see her."

Collinson said something unintelligible, though it sounded apologetic.

Aaronia Haldorn made the slightest of bows.

"You may do as you see fit," she said coldly. "I do not approve of your disturbing Miss Leggett against her wishes, and so far as my permission is concerned, I do not give it. If you insist, I cannot prevent you."

"Thanks. Where is she?"

"Her room is on the fifth floor, just beyond the stairs, to the left."

She bent her head a little once more and went away.

Collinson put a hand on my arm, mumbling: "I don't know whether I-whether we ought to do this. Gabrielle's not going to like it. She won't-"

"Suit yourself," I growled, "but I'm going up. Maybe she won't like it, but neither do I like having people running away and hiding when I want to ask them about stolen diamonds."

He frowned, chewed his lips, and made uncomfortable faces, but he went along with me. We found an automatic elevator, rode to the fifth floor, and went down a purple-carpeted corridor to the door just beyond the stairs on the left-hand side.

I tapped the door with the back of my hand. There was no answer from inside. I tapped again, louder.

A voice sounded inside the room. It might have been anybody's voice, though probably a woman's. It was too faint for us to know what it said and too smothered for us to know who was saying it.

I poked Collinson with my elbow and ordered: "Call her."

He pulled at his collar with a forefinger and called hoarsely: "Gaby, it's Eric."

That didn't bring an answer.

I thumped the wood again, calling: "Open the door."

The voice inside said something that was nothing to me. I repeated my thumping and calling. Down the corridor a door opened and a sallow thin-haired old man's head stuck out and asked: "What's the matter?" I said: "None of your damned business," and pounded the door again.

The inside voice came strong enough now to let us know that it was complaining, though no words could be made out yet. I rattled the knob and found that the door was unlocked. Rattling the knob some more, I worked the door open an inch or so. Then the voice was clearer. I heard soft feet on the floor. I heard a choking sob. I pushed the door open.

Eric Collinson made a noise in his throat that was like somebody very far away yelling horribly.

Gabrielle Leggett stood beside the bed, swaying a little, holding the white foot-rail of the bed with one hand. Her face was white as lime. Her eyes were all brown, dull, focused on nothing, and her small forehead was wrinkled. She looked as if she knew there was something in front of her and was wondering what it was. She had on one yellow stocking, a brown velvet skirt that had been slept in, and a yellow chemise. Scattered around the room were a pair of brown slippers, the other stocking, a brown and gold blouse, a brown coat, and a brown and yellow hat.

Everything else in the room was white: white-papered walls and white-painted ceiling; white-enameled chairs, bed, table, fixtures-even to the telephone-and woodwork; white felt on the floor. None of the furniture was hospital furniture, but solid whiteness gave it that appearance. There were two windows, and two doors besides the one I had opened. The door on the left opened into a bathroom, the one on the right into a small dressing-room.

I pushed Collinson into the room, followed him, and closed the door. There was no key in it, and no place for a key, no lock of any fixable sort. Collinson stood gaping at the girl, his jaw sagging, his eyes as vacant as hers; but there was more horror in his face. She leaned against the foot of the bed and stared at nothing with dark, blank eyes in a ghastly, puzzled face.

I put an arm around her and sat her on the side of the bed, telling Collinson: "Gather up her clothes." I had to tell him twice before he came out of his trance.

He brought me her things and I began dressing her. He dug his fingers into my shoulder and protested in a voice that would have been appropriate if I had been robbing a poor-box:

"No! You can't-"

"What the hell?" I asked, pushing his hand away. "You can have the job if you want it."

He was sweating. He gulped and stuttered: "No, no! I couldn't-it-" He broke off and walked to the window.

"She told me you were an ass," I said to his back, and discovered I was putting the brown and gold blouse on her backwards. She might as well have been a wax figure, for all the help she gave me, but at least she didn't struggle when I wrestled her around, and she stayed where I shoved her.